Miyuki Nakajima

2.1. Childhood and Education

Born in February 1952 in Sapporo, the capital city of Hokkaidō, Nakajima's family had roots in the medical and political fields. Her paternal grandfather, Buichi, was a prominent politician in Hokkaido, serving as the chairman of the Obihiro City Council, and was the nephew of Baron Junzo Go, the first Vice Minister of Finance. Her father, Shinichiro, was a Hokkaido Imperial University medical graduate who managed an obstetrics and gynecology clinic.

At the age of five, Nakajima's family relocated to Iwanai, where she lived for six years until she was eleven. Her teenage years were predominantly spent in Obihiro, where she attended Obihiro Hakuyou High School, graduating as one of its most notable alumni alongside singer-songwriter Miwa Yoshida and television announcer Shinichiro Azumi. In 1974, she graduated from Sapporo's Fuji Women's University with a degree in Japanese Literature. During her university years, she was a member of the broadcasting club and worked part-time at a local radio station. She also actively engaged with members of the University of Hokkaido folk song club, earning her the nickname "contest arashi" (contest wrecker) due to her frequent wins in music competitions.

2.2. Pre-debut Activities

Nakajima's musical journey began well before her official debut. Her first live performance took place during her third year of high school at the 20th Hakuyō Festival in September 1969. Despite the prevailing prejudice against female students performing on stage, which often led to jeers and thrown toilet paper, Nakajima bravely performed her original song, "Tsugumi no Uta" (鶫の唄_{Song of the Thrush}^Japanese). This experience was a formative one, as a female student she had never spoken to before approached her afterwards, exclaiming, "That was amazing!"

In 1972, she participated in a folk contest at the Hibiya Open-Air Concert Hall in Tokyo, where she won the songwriting prize for her composition "Atashi Tokidoki Omouno" (あたし時々おもうの_{Sometimes I Think}^Japanese). This song, included in the contest album, became her first recorded material. She later revealed that her participation in such contests was often motivated by the provided travel expenses and bento box meals, serving as a form of part-time work. After graduating from college, Nakajima continued to pursue a professional music career for nearly a year. During this period, she engaged in amateur activities in Obihiro while assisting her family's business, performing frequently at events organized by Akira Watanabe, the master of the jazz cafe "Audio." By the time of her debut, she had already amassed over 100 original songs, though many remain unreleased.

3.1. Debut and 1970s Activities

Nakajima's professional career officially began in May 1975 when her composition "Kizutsuita Tsubasa (Wings of Love - I Knew Nothing)" (傷ついた翼_{Wounded Wings}^Japanese) received an award at the 9th Popular Song Contest organized by the Yamaha Music Foundation. Following this, she signed with Yamaha and Canyon Records, leading to her debut single, "Azami Jō no Lullaby" (アザミ嬢のララバイ_{Thistle Lady's Lullaby}^Japanese), released in September 1975. The following month, her song "Jidai" (時代_Time/Era^Japanese) won the Grand Prix at the 10th Popular Song Contest and later the Grand Prix at the 6th World Popular Song Festival in December. "Jidai" was subsequently released as her second single. This success brought her to the attention of Genichi Kawakami of Yamaha Music, whom Nakajima regards as a mentor to this day, with her albums still crediting him as "DAD Genichi Kawakami."

In April 1976, she released her first studio album, Watashi no Koe ga Kikoemasuka (私の声が聞こえますか_{Can You Hear My Voice?}^Japanese). She has since maintained a consistent release schedule, typically releasing one album per year. In 1976, she composed her first number-one hit single for another artist, "Abayo" (あばよ_Farewell^Japanese), recorded by Naoko Ken, which sold over 700,000 copies. This established her reputation as a prominent songwriter. Throughout her career, she has penned over 100 songs for various artists, including "Shiawase Shibai" (しあわせ芝居_{Happy Play}^Japanese) for Junko Sakurada, "Kamome wa Kamome" (かもめはかもめ_{A Seagull is a Seagull}^Japanese) for Naoko Ken, and "Kono Sora wo Tobetara" (この空を飛べたら_{If I Could Fly This Sky}^Japanese) for Tokiko Kato. Nakajima also began releasing retrospective albums featuring songs she had written for other artists; her first, Okaerinasai (おかえりなさい_{Welcome Home}^Japanese), released in 1979, sold over 500,000 units and became one of her best-selling albums.

Her fifth single, "Wakareuta" (わかれうた_{Parting Song}^Japanese), released in September 1977, marked her commercial breakthrough as a singer, reaching number one on the Oricon chart in December 1977 and selling over 700,000 copies. Her fourth studio album, Aishiteiru to Ittekure (愛していると云ってくれ_{Tell Me You Love Me}^Japanese), released in 1978, further solidified her popularity. This album included the protest song "Sejou" (世情_{World's Context}^Japanese), which gained significant attention after its use in the 1981 Japanese television drama Kimpachi Sensei. From her 1979 album Shin-ai Naru Mono e (親愛なる者へ_{To My Beloved}^Japanese) to her 1985 album Miss M., eight of her studio albums consecutively reached number one on the Oricon album charts. Additionally, 22 of her studio albums, from A Ri Ga To U (あ・り・が・と・う_{Thank You}^Japanese) in 1977 to Paradise Cafe (パラダイス・カフェ^Japanese) in 1996, consistently ranked within the top 10.

3.2. 1980s: Commercial Peak

The first half of the 1980s represented Nakajima's commercial zenith. Seven of her studio albums released during this period, from Ikiteitemo Iidesuka (生きていてもいいですか_{Is It Okay to Live?}^Japanese) to Miss M., consecutively topped the Oricon Charts. Her single "Akujo" (悪女_{Wicked Woman}^Japanese), released in autumn 1981, became her second number-one hit on the Oricon singles chart since "Wakareuta" in 1977, also ranking sixth on the year-end chart of 1982. Her eighth studio album, Kansuigyo (寒水魚_{Cold Water Fish}^Japanese), which featured another interpretation of "Akujo," was her most commercially successful LP, peaking at number one on Oricon for six weeks and topping the Japanese year-end albums chart of 1982. In the same year, she produced two top-three charting singles, "Yuwaku" (誘惑_Temptation^Japanese) and "Yokorenbo" (横恋慕_{Unrequited Love}^Japanese).

As a composer and lyricist, Nakajima continued to write for other artists. "Suzume" (すずめ_Sparrow^Japanese), the debut solo single for former Pink Lady member Keiko Masuda, helped the artist return to the top 10. In 1983, Nakajima received the 25th Japan Record Award for her songwriting on "Haru na no ni" (春なのに_{Even Though It's Spring}^Japanese), a hit song performed by then-teenage pop icon Yoshie Kashiwabara.

"Cold Farewell" (つめたい別れ_{Tsumetai Wakare}^Japanese), released as a single in 1985, marked her first international production. This top-10 charting song notably features an extended harmonica solo by Stevie Wonder, who also played the synthesizer on her subsequent single "Atai no Natsuyasumi" (あたいの夏休み_{My Summer Vacation}^Japanese), released the following year. In 1987, Nakajima contributed lyrics to a composition by Tsugutoshi Goto, a bassist and record producer with whom she had a long-standing collaboration.

Nakajima penned the lyrics for the pop song "Fu-ji-tsu" (FU-JI-TSU^Japanese) in 1988, which became the fourth single for teen idol Shizuka Kudo, formerly of Onyanko Club. From the late 1980s to the early 1990s, Nakajima and Goto collaborated on 17 songs for Kudo, several of which topped the charts, including "Dōkoku" (慟哭_{I Cried All Night}^Japanese), released in 1993 and certified quadruple platinum by the RIAJ for shipments exceeding one million copies. Their songwriting partnership with Goto concluded in 1993, though Nakajima continued to write for Kudo in later years.

The "period of madness" (御乱心の時代_{Goranshin no Jidai}^Japanese), as Nakajima later called her mid-to-late 1980s phase of musical exploration, concluded with her collaboration with Ichizo Seo. Their first project was the album Goodbye Girl (グッバイ ガール_{Goodbye Girl}^Japanese), released in 1988. Highly satisfied with the recording, Nakajima considered Seo her most suitable musical partner, and they have collaborated on all her original albums since the late 1980s, with Seo handling arrangements, production, and instrumentation. This partnership marked a new, stable era in her musical direction.

3.3. 1990s: Musical Changes and 'Yakai'

The 1990s saw a shift in the Japanese music industry towards tie-ups with television dramas and commercials, a trend Nakajima also embraced, leading to several million-selling singles. Her song "Asai Nemuri" (浅い眠り_{Shallow Sleep}^Japanese), the theme song for the drama Shin'ai Naru Mono e, was a success, selling over one million copies and peaking at number two on the charts. It was included in her studio album East Asia, released in October 1992. This album also featured "Ito" (糸_Tapestry^Japanese), a song that has been widely covered by many artists, notably by Bank Band, a charity supergroup formed by Kazutoshi Sakurai and Takeshi Kobayashi.

In the mid-1990s, Nakajima wrote theme songs for Ienakiko (家なき子_{Homeless Child}^Japanese), a TV drama series starring Yumi Adachi, aired on NTV. "Sora to Kimi no Aida ni" (空と君のあいだに_{Between the Sky and You}^Japanese), released as a single in May 1994, debuted at number one on the Japanese Singles Chart and became her most commercially successful record to date, selling over 1.4 million copies. The song "Fight!" (ファイト!_Fight!^Japanese), originally from her 1983 album Yokan (予感_Premonition^Japanese), was released as a double A-side with "Sora to Kimi no Aida ni". Another composition, "Tabibito no Uta" (旅人のうた_{Traveler's Song}^Japanese), featured in the drama's sequel the following year, also achieved similar success, reaching number one and selling over 1 million units.

In March 1996, she released a greatest hits compilation, Daiginjo (大吟醸_{Great Brew}^Japanese), which reached number one on the Oricon album chart, making her the oldest female artist at the time to produce a number-one album on the Japanese music chart. This record was later surpassed by Yumi Matsutoya and Mariya Takeuchi. Despite her single successes, her studio albums released in the 1990s were commercially less robust, with some failing to reach the top 10. Sun: Wings (日-WINGS_Sun-Wings^Japanese) and Moon: Wings (月-WINGS_Moon-Wings^Japanese), both released in 1999, were her lowest-selling albums, each selling less than 50,000 copies.

During the late 1990s, Nakajima participated in the National Language Council of Japan under the Ministry of Education, Culture, Sports, Science and Technology, an honor that distinguished her as the only musician to have served on the council.

In 1989, Nakajima launched her unique theatrical concert series, 'Yakai' (夜会_{Night Gathering}^Japanese), at the Bunkamura Theatre Cocoon in Shibuya, Tokyo. 'Yakai' combines intricate storylines written by Nakajima with musical performances. Initially, it functioned as a "jukebox musical" primarily featuring her previously released songs. Over time, these idiosyncratic efforts evolved into elaborate stage performances, which she presented every December for ten years. From the 7th act, titled 2/2, in 1995, 'Yakai' began to feature new songs composed specifically for the performances, with most of these productions subsequently released on DVD.

3.4. 2000s: 'Project X' and Re-emergence

A quarter-century after her debut, Miyuki Nakajima departed from the Pony Canyon label and transitioned to the newly established Yamaha Music Communications in 2000. At Yamaha, she also took on a role as a director and major shareholder, actively participating in the management of the mini-major record company.

Her first release with the new label was the double A-side single "Earthly Stars (Unsung Heroes)"/"Headlight Taillight" (地上の星/ヘッドライト・テールライト_{Earthly Stars/Headlight Taillight}^Japanese), which would become her most widely recognized songs. She composed these tracks as theme songs for Project X: Challengers (プロジェクトX~挑戦者たち~_{Purojekuto Ekkusu: Chōsensha-tachi}^Japanese), a television documentary program that premiered on NHK in March 2000. The single debuted at number 15 on the Oricon chart in July 2000 and remarkably continued to chart for over two years, achieving a record of 174 consecutive weeks within the Oricon weekly singles chart Top 100.

Initially, the single did not gain immediate attention, but as Project X grew in popularity, so did its theme songs. Her album Short Stories (短編集_Tanpenshū^Japanese) was released with "Earthly Stars" as the opening track and "Headlight Taillight" as the closing track. Following the unexpected commercial success of the Project X theme songs, Nakajima made a rare live television appearance on the 53rd annual music program Kōhaku Uta Gassen, aired by NHK on New Year's Eve 2002. This was her first live performance on television since the late 1970s. Her performance of "Earthly Stars" via a live broadcast from the Kurobe Dam (Kurobe River No. 4 Power Station), a site featured in Project X, garnered the highest viewership rating among all performing artists during the program (52.8% in the Kanto region, according to Video Research). Despite a minor lyrical mistake due to extreme tension in the freezing conditions, the public's response was overwhelmingly positive. In January 2003, nearly two and a half years after its release, "Earthly Stars/Headlight Taillight" climbed to number one on the singles chart, setting an Oricon record for the longest period (130 weeks) for a single to reach number one after its release. This also marked her achievement of having a number-one single across four consecutive decades (1970s, 1980s, 1990s, 2000s).

On December 28, 2005, Nakajima appeared on the final episode of Project X, performing "Headlight Taillight" live in the studio, which further emphasized her charismatic presence. This appearance led to the single re-entering the Oricon singles chart Top 100 at number 66 on January 16, 2006, extending its total chart presence to 183 weeks.

In 2006, Nakajima composed "Sorafune" (宙船_{Ship in the Air}^Japanese) for the boy band TOKIO. The song served as the closing theme for My Boss, My Hero, a TV drama starring the band's frontman Tomoya Nagase. "Sorafune" became the band's second most commercially successful single after their debut, remaining on the Oricon chart for over a year and selling approximately 480,000 copies. It was also the first chart-topping song for which Nakajima contributed both lyrics and melody for another artist in 30 years, since "Abayo" was recorded by Naoko Ken in 1976. A month after the release of her studio album Lullaby Singer (ララバイSINGER_{Lullaby Singer}^Japanese), which featured her own interpretation of "Sorafune," her contribution to TOKIO earned her the "Best Lyrics" award at the 48th Japan Record Award.

In November 2009, Nakajima was awarded a Medal of Honor with purple ribbon by the Government of Japan. In her acceptance, she humorously remarked, "While expressing unexpected joy, people say 'a windfall,' but my feeling right now is more like 'a bluefin tuna from the shelf.' Normally, if you are offered something, you politely decline twice, and then accept if they insist, but this is an honor, not an ordinary thing, so I thought I might never get another chance if I declined, and I immediately replied, 'I'll take it!'"

3.5. 2010s Onwards

Nakajima continued her artistic output and received further recognition in the 2010s and beyond. In 2010, she embarked on a national tour, "Miyuki Nakajima TOUR 2010," which included 27 performances across 9 venues. During this tour, she initiated a Twitter account to share updates from each show, which later became an official staff account for her latest news.

In 2012, Nakajima wrote and performed the closing song "Onshirazu" (恩知らず_Ungrateful^Japanese) for the Japanese television series Tokyo Zenryoku Shoujo. She also made a cameo appearance in the first episode as a cleaner. From October 2012 to February 2013, she conducted another national tour, "Miyuki Nakajima Enkai 2012-2013" (中島みゆき「縁会」2012~3_{Miyuki Nakajima 'Enkai' 2012-2013}^Japanese), with 27 performances in 12 venues. In November and December 2013, she held a gala concert series titled "Yakai Koujo" (夜会工場_{Night Gathering Factory}^Japanese).

In 2014, Nakajima wrote and composed the song "Naite mo Iin Da yo" (泣いてもいいんだよ_{It's Okay to Cry}^Japanese) for the Japanese idol group Momoiro Clover Z. Released on May 8, 2014, the song was used as the theme song for the film Akumu-chan: The Movie. That same year, she performed the opening theme song, "Mugi no Uta" (麦の唄_{Wheat Song}^Japanese), for the 2014 NHK morning drama Massan. She also performed this song at the 65th Kōhaku Uta Gassen, marking her second appearance on the program after 12 years.

Her song "Shin'on" (心音_Heartbeat^Japanese) was adopted as the theme song for the animated film Alice and Therese's Illusion Factory (アリスとテレスのまぼろし工場_{Alice to Teresu no Maboroshi Kōjō}^Japanese), released on September 15, 2023. This marked her first time providing a song for an anime production.

4.1. Lyrical and Vocal Style

Nakajima's lyrics often capture fragments of everyday life, focusing on the emotions of men and women, and working people. She frequently employs intricate metaphors, allowing listeners to derive varied meanings from her words. Universal themes are also a common thread in her songwriting, as exemplified by "Eikyū Kekuban" (永久欠番_{Permanent Number}^Japanese) from her 1991 album Utadeshika Ienai (歌でしか言えない_{Can Only Be Said in Song}^Japanese). This song, which explores the theme that "everyone is a unique and irreplaceable being," has been quoted in junior high school Japanese language textbooks published by Tokyo Shoseki. In contrast, she has also written lighthearted lyrics, such as "MUGO・n...Iroppoi" (MUGO・ん...色っぽい_{Sexy Silence}^Japanese) for Shizuka Kudo and "Kitto Ai ga Aru" (きっと愛がある_{Surely There Is Love}^Japanese) for Hikaru Nishida, often incorporating commercial taglines as instructed. Her university graduation thesis on Shuntaro Tanikawa highlights the strong influence of modern poetry on her lyrical style, and her own lyrics are sometimes included in anthologies of modern poetry.

Her vocal delivery is characterized by deep breaths and a powerful voice, often singing with a resonant, flowing quality. She masterfully employs a range of vocal tones within a single song, adapting her voice to the emotional landscape and narrative of the lyrics. A notable example is the distinct vocal interpretations in "Earthly Stars" and "Headlight Taillight." Her albums often feature songs with vastly different vocal qualities. Nakajima is also known for her adeptness at key changes, a technique frequently found in her compositions like "Asai Nemuri" and "Sora to Kimi no Aida ni." Despite the powerful and varied vocal styles in her songs, her speaking voice in everyday conversation is markedly different. On her radio show Miyuki Nakajima's All Night Nippon, she humorously referred to her subtle vocal vibrato as "Chirimen Vibrato" (ちりめんビブラート_{Crepe Vibrato}^Japanese).

4.2. Songs for Other Artists

Nakajima has been a prolific songwriter for numerous other artists, contributing over 100 songs to their repertoires and producing many chart-topping hits. Her compositions have significantly shaped the careers of many Japanese singers.

Notable contributions include:

• "Abayo" (あばよ_Farewell^Japanese) for Naoko Ken (1976), which became a major hit and her first number-one song for another artist. Nakajima later self-covered this song on her album Okaerinasai.
• "Shiawase Shibai" (しあわせ芝居_{Happy Play}^Japanese) for Junko Sakurada (1977).
• "Kamome wa Kamome" (かもめはかもめ_{A Seagull is a Seagull}^Japanese) for Naoko Ken (1978), marking Ken's comeback single. Nakajima later included her own version on her album Oiro Naoshi.
• "Kono Sora wo Tobetara" (この空を飛べたら_{If I Could Fly This Sky}^Japanese) for Tokiko Kato (1978). Nakajima performed this song with Kato on the TV program Cocky Pop.
• "Suzume" (すずめ_Sparrow^Japanese) for Keiko Masuda (1981), which brought the former Pink Lady member back into the top 10. Nakajima's self-cover is on Oiro Naoshi.
• "Haru na no ni" (春なのに_{Even Though It's Spring}^Japanese) for Yoshie Kashiwabara (1983), which earned Nakajima the Best Songwriting award at the 25th Japan Record Award. She later self-covered it on Kaikinetsu.
• "Saiai" (最愛_Dearest^Japanese) for Yoshie Kashiwabara (1984), which won a Gold Prize at the Japan Record Awards.
• "Mugo, n... Iroppoi" (MUGO・ん...色っぽい_{Sexy Silence}^Japanese) for Shizuka Kudo (1988), which also received a Gold Prize at the Japan Record Awards.
• "Kōsa ni Fukarete" (黄砂に吹かれて_{Blown by Yellow Dust}^Japanese) for Shizuka Kudo (1989), which was one of the five best-selling singles of the year at the 4th Japan Gold Disc Award.
• "Dōkoku" (慟哭_{I Cried All Night}^Japanese) for Shizuka Kudo (1993), which sold over one million copies and was certified quadruple platinum.
• "Sorafune" (宙船_{Ship in the Air}^Japanese) for TOKIO (2006), which became a number-one hit and earned Nakajima the Best Lyrics award at the 48th Japan Record Award. This was her first number-one song for another artist where she wrote both lyrics and melody in 30 years.
• "Naite mo Iin Da yo" (泣いてもいいんだよ_{It's Okay to Cry}^Japanese) for Momoiro Clover Z (2014).
• "Tomo ni" (俱に_Together^Japanese) for the Fuji TV drama PICU Shoni Shuchu Chiryoshitsu (2022), marking her first theme song for a Monday 9 PM drama.
• "Shin'on" (心音_Heartbeat^Japanese) for the anime film Alice and Therese's Illusion Factory (2023), her first anime song.

Many of her songs have been covered by a diverse range of artists, particularly in Taiwan and Hong Kong, showcasing her widespread influence across Asia.

4.3. Self-Covers and Reinterpretations

Miyuki Nakajima frequently re-records or reinterprets her own compositions, often for different albums or live performances, offering new perspectives on her beloved songs. This practice is evident throughout her career, from her early retrospective albums to her later studio works and theatrical 'Yakai' performances.

For example, her 1979 album Okaerinasai was her first retrospective album, featuring songs she had originally written for other artists, but performed by herself. This album sold over 500,000 units.

Some notable self-covers and reinterpretations include:

• "Tsuyogari wa Yoseyo" (強がりはよせよ_{Don't Be So Strong}^Japanese) and "Furareta Kibun de" (ふられた気分で_{Feeling Dumped}^Japanese) originally for Naoko Ken, which Nakajima performed in her live tours and included on her albums.
• "Kamome wa Kamome" (かもめはかもめ_{A Seagull is a Seagull}^Japanese), also for Naoko Ken, was later featured on Nakajima's Oiro Naoshi album.
• "Akujo" (悪女_{Wicked Woman}^Japanese) appeared in an album version on Kansuigyo after its single release.
• "Haru na no ni" (春なのに_{Even Though It's Spring}^Japanese) for Yoshie Kashiwabara, which Nakajima later performed live and included on Kaikinetsu.
• "Namida" (涙_Tears^Japanese) for Kiyoshi Maekawa, which Nakajima self-covered with a modified title "Namida -Made in tears-" (涙 -Made in tears-_{Tears -Made in Tears-}^Japanese) for her own single.
• "Dōkoku" (慟哭_{I Cried All Night}^Japanese) for Shizuka Kudo, which Nakajima also included on her album Jidai: Time Goes Around.
• "Sorafune" (宙船_{Ship in the Air}^Japanese), a hit for TOKIO, was later self-covered by Nakajima on her album Lullaby Singer.

These reinterpretations often provide a deeper insight into Nakajima's original artistic vision and demonstrate her versatility as a performer of her own compositions.

4.4. Unreleased and Tie-up Songs

Nakajima's extensive songwriting career includes a significant number of unreleased compositions and numerous songs that have been used as tie-ins for television, film, and commercials, showcasing her versatility and widespread appeal.

• Unreleased Songs:**

Even before her debut, Nakajima had written over 100 original songs, some of which remain unreleased. These provide a glimpse into her early creative output and formative experiences:

• "Tsugumi no Uta" (鶫の唄_{Song of the Thrush}^Japanese) (1969): Performed at her high school cultural festival, her first stage performance.
• "Watashi no Mado Kara" (私の窓から_{From My Window}^Japanese) (1972): The winning song of the Sapporo regional preliminary for the National Folk Music Festival. Although unreleased officially, it was broadcast on STV Radio's "Music Box" in 2007.
• "Machi e Okaeri" (町へお帰り_{Go Back to Town}^Japanese), "Kikyō" (帰郷_Homecoming^Japanese), "Ano Hito wa Fune Nori" (あの人は船乗り_{That Person is a Sailor}^Japanese) (1974): Performed at a concert in Otōfuke, Hokkaido.
• "Honky Tonk Mama" (ホンキー・トンク・ママ_{Honky Tonk Mama}^Japanese) (1974): Performed at the 3rd Young Festival in Obihiro, Hokkaido.
• "Machi e Kaereba" (町へ帰れば_{If I Go Back to Town}^Japanese) (1976): Debuted at a concert in Tenri, Nara, alongside "Azami Jō no Lullaby" and "Jidai".
• "Shitsumon" (質問_Question^Japanese) (1977): A poem published in the magazine JOTOMO, which became the origin of her essay "Machi no Onna" and songs like "Elaine" and "Yakai VOL.8 Tou Onna". It was first performed during her 1978 Spring Tour.
• "Kitsune no Yomeiri" (きつねの嫁入り_{Fox's Wedding}^Japanese) (1979): Performed during her 1979 Spring Tour.
• "Kita no Tabibito" (北の旅人_{Northern Traveler}^Japanese) (1983): Written as the theme song for a Tenrikyo youth convention in Sapporo.
• "No Thank You" (のぅさんきゅう_{No Thank You}^Japanese) (1985): A poem she recited during her "No Thank You" concert tour, later published in her book Kataomoi.
• "Dare Hitori Watashi wo Shiranai" (誰ひとりわたしを知らない_{No One Knows Me}^Japanese) (1995): Written for "Yakai VOL.7 2/2" but ultimately not used in the performance.

• Tie-up Songs:**

Many of Nakajima's songs have been used in various media, significantly boosting their popularity and reach:

• "Neyuki" (根雪_{Lingering Snow}^Japanese) (1979): Theme song for the Fuji TV drama Gogo no Koibito.
• "Odori Akasou" (踊り明かそう_{Let's Dance All Night}^Japanese) (1979): Insert song for episode 6 of the NTV drama Tantei Monogatari.
• "Umi yo" (海よ_{Oh, Sea}^Japanese) (1981): Theme song for the film Umi yo Omaega -Hansenshin Nihon Maru no Seishun-.
• "Sejou" (世情_{World's Context}^Japanese) (1981): Insert song for the film Umi yo Omaega and the TBS drama 3-nen B-gumi Kinpachi Sensei.
• "Anata ga Umi wo Miteiru Uchi ni" (あなたが海を見ているうちに_{While You Are Watching the Sea}^Japanese) (1981): Insert song for episode 17 of the NTV drama Ikenaka Genta 80 Kilo II.
• "Home nite" (ホームにて_{At the Home Platform}^Japanese) (1981): Insert song for episode 3 of the Fuji TV drama Kita no Kunikara.
• "Ikoku" (異国_{Foreign Land}^Japanese) (1982, 1984): Insert song for the Fuji TV drama Kita no Kunikara and Kita no Kunikara '83 Fuyu.
• "Kami" (髪_Hair^Japanese) (1982): Insert song for episode 19 of Kita no Kunikara.
• "Yomayoi Gotto" (世迷い言_Nonsense^Japanese) and "Ame..." (雨..._Rain...^Japanese) (1982): Insert songs for episode 22 of Kita no Kunikara.
• "Elaine" (エレーン_Elaine^Japanese) (1982, 1986): Insert song for episode 24 of Kita no Kunikara and the film Tokei Adieu l'Hiver.
• "Anjuko no Kutsu" (安寿子の靴_{Anjuko's Shoes}^Japanese) (1984): Theme song for the NHK drama special Anjuko no Kutsu.
• "Odayakana Jidai" (おだやかな時代_{Peaceful Era}^Japanese) (1986): Theme song for the "Nihon no Eki" segment of TV Asahi's News Station.
• "Nioi Glass" (匂いガラス_{Scented Glass}^Japanese) (1986): Theme song for the NHK drama special Nioi Glass.
• "Ugetsu no Shisha" (雨月の使者_{Messenger of the Rain Moon}^Japanese) (1987): Theme song for the NHK drama special Ugetsu no Shisha.
• "Ashita" (あした_Tomorrow^Japanese) (1989): CM song for KDD's "001" international telecommunications.
• "Yoru wo Yuke" (夜を往け_{Go Through the Night}^Japanese) (1990): Theme song for the Kansai TV/Fuji TV drama Yūki Masaharu Suspense.
• "with" (with_with^Japanese) (1991): Image song for the film Musuko.
• "Jidai" (時代_Time/Era^Japanese) (1991-2020): Used in various contexts including Hokkaido Takushoku Bank CM, Ministry of Posts and Telecommunications New Year's postcard CM (with Nakajima herself appearing), Marui "Freshers" CM, Fuji TV drama Kita no Kunikara '98 Jidai, Fuji TV 50th Anniversary special Wagaya no Rekishi, Japan Post New Year's postcard CM, BOSS coffee "Song & BOSS" CM, and the film Kiokuya: Anata wo Wasurenai.
• "Maybe" (Maybe_Maybe^Japanese) (1991): CM song for Panasonic's "Blainbee".
• "Matsuribayashi" (まつりばやし_{Festival Music}^Japanese) (1992): Hokkaido Takushoku Bank CM song.
• "Tanjou" (誕生_Birth^Japanese) (1992): Theme song for the film Kiseki no Yama -Sayonara, Meiken Heiji-.
• "Asai Nemuri" (浅い眠り_{Shallow Sleep}^Japanese) (1992): Theme song for the Fuji TV drama Shin'ai Naru Mono e (Nakajima also had a cameo).
• "Saigo no Megami" (最後の女神_{The Last Goddess}^Japanese) (1993): Ending theme for TBS's NEWS23.
• "Fight!" (ファイト!_Fight!^Japanese) (1994, 2020): CM song for Sumitomo Life Insurance's "Winning Life" and UNIQLO's "HEATTECH".
• "Sora to Kimi no Aida ni" (空と君のあいだに_{Between the Sky and You}^Japanese) (1994): Theme song for the NTV drama Ienakiko and its film adaptation.
• "Gokigen Ikaga" (御機嫌如何_{How Are You?}^Japanese) (1994): CM song for Ministry of Posts and Telecommunications' "Kamome Mail" (Nakajima also appeared).
• "Nakitai Yoru ni" (泣きたい夜に_{On a Night I Want to Cry}^Japanese) (1994): Theme song for NHK's Mabataki no Umi ni.
• "Tabibito no Uta" (旅人のうた_{Traveler's Song}^Japanese) (1995): Theme song for the NTV drama Ienakiko 2.
• "Nisou no Fune" (二隻の舟_{Two Boats}^Japanese) (1996, 2005): Theme song for the film Kiri no Shigo-sen and the Fuji TV drama Kaikyo wo Wataru Violin.
• "Nakanai de Amaterasu" (泣かないでアマテラス_{Don't Cry, Amaterasu}^Japanese) (1996): Insert song for the film Swallowtail.
• "Nemuranai de" (眠らないで_{Don't Sleep}^Japanese) (1996): Theme song for the film Umi Hōzuki.
• "Takaga Ai" (たかが愛_{It's Just Love}^Japanese) (1996): Theme song for the TV Asahi drama Hamidashi Keiji Jōnetsu Kei.
• "Ōkami ni Naritai" (狼になりたい_{I Want to Be a Wolf}^Japanese) (1997): CM song for Otsuka Pharmaceutical's "Five Mini".
• "Densetsu" (伝説_Legend^Japanese) (1997): Image song for the film Aisuru.
• "Aijō Monogatari" (愛情物語_{Love Story}^Japanese) (1997): Theme song for the TV Asahi drama Hamidashi Keiji Jōnetsu Kei PART II.
• "Ito" (糸_Tapestry^Japanese) (1998-2020): Used in various contexts including TBS drama Seija no Kōshin (episodes 1-4, 10-final), National Cultural Festival Fukui 2005 image song, Shichijushichi Bank CM, Kansai Electric Power CM, BOSS coffee "Ōzumō" CM, Toyota Home CM, BOSS coffee "Uchūjin Jones: Heisei Tokubetsu" CM, and the film Ito.
• "Inochi no Betsumei" (命の別名_{Another Name for Life}^Japanese) (1998): Theme song for TBS drama Seija no Kōshin (episodes 5-9).
• "Mabataki mo Sezu (MOVIE THEME VERSION)" (瞬きもせず (MOVIE THEME VERSION)_{Without a Blink (Movie Theme Version)}^Japanese) (1998): Theme song for the film Gakko III.
• "Watashitachi wa Haru no Naka de" (私たちは春の中で_{We Are in Spring}^Japanese) (1998): Theme song for the film Ōinaru Kan Bonno.
• "Watashi no Kodomo ni Narinasai" (わたしの子供になりなさい_{Be My Child}^Japanese) (1998): Insert song for the film Ōinaru Kan Bonno.
• "Kodoku no Shōzō 1st." (孤独の肖像1st._{Portrait of Solitude 1st.}^Japanese) (1999, 2005): Ending theme for the NHK drama special Tsui no Sumika and theme song for the film Glass no Shito (Nakajima also had a cameo).
• "Chijō no Hoshi" (地上の星_{Earthly Stars}^Japanese) (2000, 2008, 2024): Opening theme for NHK's Project X: Challengers, BOSS coffee "Chijō no Hoshi" CM, and NHK's Shin Project X: Challengers.
• "Headlight Taillight" (ヘッドライト・テールライト_{Headlight Taillight}^Japanese) (2000, 2011, 2015, 2024): Ending theme for NHK's Project X: Challengers, insert song for episode 19 of the anime Nichijō, theme song for the film Crossroad, BOSS coffee "Headlight Taillight" CM, and ending theme for NHK's Shin Project X: Challengers.
• "Gin no Ryū no Se ni Notte" (銀の龍の背に乗って_{Riding on the Back of a Silver Dragon}^Japanese) (2003-2022): Theme song for various iterations of the Fuji TV drama Dr. Kotō Shinryōjo (2003, 2004 SP, 2006) and its film adaptation (2022).
• "Inochi no Relay" (命のリレー_{Relay of Life}^Japanese) (2005): Insert song for "Yakai VOL.13 24-ji Chaku 0-ji Hatsu" and theme song for the Fuji TV drama special Onna no Ichidaiki series.
• "Take no Uta" (竹の歌_{Bamboo Song}^Japanese) (2005): Theme song for the film 2/2.
• "NEVER CRY OVER SPILT MILK" (NEVER CRY OVER SPILT MILK_{Never Cry Over Spilt Milk}^Japanese) (2005): Theme song for the film 2/2.
• "Kaerenai Monotachi e" (帰れない者たちへ_{To Those Who Cannot Return}^Japanese) (2006): Theme song for the TV Asahi drama Matsumoto Seichō: Kemonomichi.
• "Sapporo SNOWY" (サッポロSNOWY_{Sapporo Snowy}^Japanese) (2007): Theme song for Hokkaido Broadcasting's Tatta Ichido no Yuki: Sapporo 1972-nen.
• "Ichigo Ichie" (一期一会_{Once-in-a-Lifetime Encounter}^Japanese) (2007, 2024): Theme song for MBS/TBS's Sekai Ururun Taizaiki Renaissance and the film Shisam.
• "Mukashi kara Ame ga Futte Kuru" (昔から雨が降ってくる_{Rain Has Been Falling Since Long Ago}^Japanese) (2007): Ending theme for MBS/TBS's Sekai Ururun Taizaiki Renaissance.
• "Yume no Tōrimichi wo Boku wa Aruite Iru" (夢の通り道を僕は歩いている_{I'm Walking Down the Dream Road}^Japanese) (2008): Theme song for Hiroshima TV's Hiroshima Hatsu! Yume no Tōrimichi.
• "Ai dake wo Nokose" (愛だけを残せ_{Leave Only Love}^Japanese) (2009): Theme song for the Toho film Zero no Shōten.
• "Kōya Yori" (荒野より_{From the Wilderness}^Japanese) (2011): Theme song for the TBS drama Nankyoku Tairiku.
• "Sō" (走_Run^Japanese) (2012): Theme song for TV Tokyo's New Year's historical drama Chūshingura: Sono Gi Sono Ai.
• "Akujo" (悪女_{Wicked Woman}^Japanese) (2012): Insert song for episode 49 of the TV Tokyo anime Jewelpet Sunshine.
• "Onshirazu" (恩知らず_Ungrateful^Japanese) (2012): Theme song for the NTV drama Tokyo Zenryoku Shoujo (Nakajima also had a cameo).
• "Mugi no Uta" (麦の唄_{Wheat Song}^Japanese) (2014): Theme song for the NHK Asadora Massan.
• "India Goose" (India Goose_{India Goose}^Japanese) (2014): Ending theme for TV Tokyo's Bi no Kyojintachi.
• "Taka no Uta" (鷹の歌_{Hawk's Song}^Japanese) (2014): Theme song for Fuji TV's 55th Anniversary special Tokyo ni Olympic wo Yonda Otoko.
• "Nobody Is Right" (Nobody Is Right_{Nobody Is Right}^Japanese) (2015): CM song for earth music&ecology.
• "Sora ga Aru Kagiri" (空がある限り_{As Long as There's Sky}^Japanese) (2015): Ending theme for BS Japan's Nikkei Plus 10.
• "Bojō" (慕情_Yearning^Japanese) (2017, 2019): Theme song for the TV Asahi drama Obi Drama Gekijō: Yasuragi no Sato and Yasuragi no Toki ~Michi~.
• "Jinsei no Shirōto" (人生の素人_{Amateur of Life}^Japanese) (2017, 2019): Insert song for the TV Asahi drama Obi Drama Gekijō: Yasuragi no Sato and Yasuragi no Toki ~Michi~.
• "Wakareuta" (わかれうた_{Parting Song}^Japanese) (2017): Insert song for the short film Wakareuta.
• "Shinkaju" (進化樹_{Evolution Tree}^Japanese) (2019): Theme song for the TV Asahi drama Obi Drama Gekijō: Yasuragi no Toki ~Michi~.
• "Rikyō no Uta" (離郷の歌_{Song of Leaving Home}^Japanese) (2019): Theme song for the TV Asahi drama Obi Drama Gekijō: Yasuragi no Toki ~Michi~.
• "Owari Hatsumono" (終り初物_{First of the Last}^Japanese) (2019): Theme song for the TV Asahi drama Obi Drama Gekijō: Yasuragi no Toki ~Michi~.
• "Kannonbashi" (観音橋_{Kannon Bridge}^Japanese) (2019): Theme song for the TV Asahi drama Obi Drama Gekijō: Yasuragi no Toki ~Michi~.

5.1. Concert Tours

Nakajima began performing live in high school, and her professional concert career has been extensive, marked by numerous tours throughout Japan. She generally prefers performing in intimate settings, typically in halls with a capacity of 2,000 to 3,000 people, and generally avoids arena-class venues. While she has performed at larger venues like Ryōgoku Kokugikan, Yokohama Arena, and Osaka-jō Hall in the past, she has notably never held a concert at the Nippon Budokan.

Her major concert tours include:

• 1977 Spring Concert
• 1977 Autumn Concert
• 1978 Spring Tour
• 1978 Autumn Tour
• 1979 Spring Tour
• 1979 Autumn Tour
• Miyuki Nakajima Concert (1980 Autumn Tour)
• Sabishiki Tomo e (寂しき友へ_{To a Lonely Friend}^Japanese) (1981)
• Sabishiki Tomo e II (寂しき友へII_{To a Lonely Friend II}^Japanese) (1982)
• Utahime (浮汰姫_{Singing Princess}^Japanese) (1982-83)
• Nakajima Miyuki Concert Fuku Koro ni (蕗く季節に_{In the Season of Butterbur}^Japanese) (1982-83)
• Nakajima Miyuki Concert '84 Asu wo Ute! (明日を撃て!_{Shoot Tomorrow!}^Japanese) (1984)
• Nakajima Miyuki Concert '84 Gekkou no Utage (月光の宴_{Banquet of Moonlight}^Japanese) (1984-85)
• Nakajima Miyuki Concert '85 No Thank You (のぅさんきゅう_{No Thank You}^Japanese) (1985)
• Nakajima Miyuki Concert '85 Utagoyomi (歌暦_{Song Calendar}^Japanese) Page 85" (1985)
• Nakajima Miyuki Concert '86 Gobanme no Kisetsu (五番目の季節_{The Fifth Season}^Japanese) " (1986)
• Nakajima Miyuki Concert '86 Utagoyomi (歌暦_{Song Calendar}^Japanese) Page 86 "Koiuta_{Love Song}^Japanese " (1986)
• Miyuki Nakajima Concert '87 "Suppin Vol.1" (すっぴん Vol.1_{Bare Face Vol.1}^Japanese) (1987)
• Nakajima Miyuki Concert 1989 Nousagi no You ni (野ウサギのように_{Like a Wild Rabbit}^Japanese) " (1989)
• Concert Tour '90 "Night Wings" (1990)
• Concert "Carnival 1992" (1992)
• Concert Tour '93 "East Asia" (1993)
• Concert '95 "Love or Nothing" (1995)
• Concert Tour '97 "Paradise Cafe" (1997)
• Concert Tour '98 (1998)
• XXIc. 1st. (2001)
• Concert Tour 2005
• Concert Tour 2007
• Nakajima Miyuki Tour 2010
• Nakajima Miyuki Enkai (縁会_Meeting^Japanese) 2012-2013
• Nakajima Miyuki Yakai Koujo (夜会工場_{Night Gathering Factory}^Japanese) VOL.1 (2013)
• Nakajima Miyuki Concert Ichi E (一会_{One Encounter}^Japanese) 2015-2016
• Nakajima Miyuki Yakai Koujo (夜会工場_{Night Gathering Factory}^Japanese) VOL.2 (2018)
• Nakajima Miyuki 2020 Last Tour (ラスト・ツアー「結果オーライ」_{Last Tour "Kekka Ōrai"}^Japanese)

5.2. 'Yakai' Performances

The 'Yakai' (夜会_{Night Gathering}^Japanese) series is a unique and significant aspect of Nakajima's career, blending elements of theater and concert into an experimental musical production. Launched in 1989 at the Bunkamura Theatre Cocoon in Shibuya, Tokyo, 'Yakai' is characterized by intricate storylines personally written by Nakajima.

Initially, 'Yakai' functioned as a "jukebox musical," primarily featuring her previously released songs woven into a narrative. However, these idiosyncratic efforts gradually evolved into more elaborate stage performances. Beginning with the 7th act, titled 2/2, in 1995, 'Yakai' productions started to incorporate new songs composed specifically for the performances, making them more comprehensive theatrical experiences.

Nakajima performed 'Yakai' every December for ten consecutive years, from 1989 through 1998. After a brief hiatus, the series resumed in 2000 and has continued irregularly in recent years. For instance, 'Yakai Vol.14 24-ji Chaku 00-ji Hatsu' (24時着00時発_{Arriving at 24:00, Departing at 00:00}^Japanese) in 2006 was performed at Aoyama Theatre in Tokyo, rather than the usual Theatre Cocoon, and for the first time at Theater BRAVA! in Osaka. Most of these performances have been released on DVD, allowing a wider audience to experience these distinctive productions.

The 'Yakai' series includes:

• Yakai (1989)
• Yakai 1990 (1990)
• Yakai Vol.3 Kan-Tan (邯鄲_Kan-Tan^Japanese) (1991)
• Yakai Vol.4 Kinkanshoku (金環蝕_{Annular Eclipse}^Japanese) (1992)
• Yakai Vol.5 "Hana no Iro wa Utsuri ni keri na Itazura ni Waga Mi Yo ni Furu Nagame Seshi Ma ni" (「花の色はうつりにけりないたづらに わが身世にふるながめせし間に」_{The colors of the flowers have faded in vain, while I idly gazed upon the world}^Japanese) (1993)
• Yakai Vol.6 Shangri-La (シャングリラ_Shangri-La^Japanese) (1994)
• Yakai Vol.7 2/2 (1995)
• Yakai Vol.8 Tou Onna (問う女_{The Questioning Woman}^Japanese) (1996)
• Yakai Vol.9 2/2 (1997)
• Yakai Vol.10 Kaishou (海嘯_Tsunami^Japanese) (1998)
• Yakai Vol.11 Winter Garden (2000)
• Yakai Vol.12 Winter Garden (2002)
• Yakai Vol.13 24-ji Chaku 0-ji Hatsu (24時着0時発_{Arriving at 24:00, Departing at 0:00}^Japanese) (2004)
• Yakai Vol.14 24-ji Chaku 00-ji Hatsu (24時着00時発_{Arriving at 24:00, Departing at 00:00}^Japanese) (2006)
• Yakai Vol.15 Ganso Konbanya (元祖・今晩屋_{Original Evening Shop}^Japanese) (2008-09)
• Yakai Vol.16 Honke Konbanya (本家・今晩屋_{Main Evening Shop}^Japanese) (2009)
• Yakai Vol.17 2/2 (2012)
• Yakai Vol.18 Hashi no shita no Arukadia (橋の下のアルカディア_{Arcadia Under the Bridge}^Japanese) (2014)
• Yakai Vol.19 Hashi no shita no Arukadia (橋の下のアルカディア_{Arcadia Under the Bridge}^Japanese) (2016)
• Yakai Vol.20 Little Tokyo (リトル・トーキョー_{Little Tokyo}^Japanese) (2019)

6.1. Radio Personality

Miyuki Nakajima has had a significant career as a radio personality, known for her distinctive and often humorous on-air persona, which contrasted with her more serious musical image. Her most notable role was hosting All Night Nippon on the Nippon Broadcasting System, a long-running program she helmed from April 1979 through March 1987. Her witty banter on the show garnered immense popularity among listeners.

Her other radio appearances include:

• "Yamaha Folk-in" on TBS Radio (April 1976 - March 1978).
• "Dengeki Wide Ultra Broadcasting Station" on Radio Kanto (1977).
• "CR Music Space 558 Gal Gal Kobe" on Radio Kansai (1978).
• "MBS Music Magazine" on MBS Radio (October 1978 - April 1979, October 1979 - March 1980, October 1980 - March 1981, February - April 1982).
• "Joyful Pop 'Sound A La Carte'" on NHK-FM (Fridays, 1989-1990), which she affectionately called "Full Kin."
• "Music Square" on NHK-FM (Fridays, 1990-1994).
• "Miyuki Nakajima O-Jikan Haishaku" (中島みゆき お時間拝借_{Miyuki Nakajima: Borrowing Time}^Japanese) on TOKYO FM (April 1994 - September 1997).
• "NHK 80th Anniversary / Radio Shin'ya Bin 15th Anniversary Special - Singer-Songwriter Era" on NHK Radio 1 (March 21, 2005).
• "Miyuki Nakajima's Radio Hirumabin" (中島みゆきのラジオ昼間便_{Miyuki Nakajima's Daytime Radio}^Japanese) on NHK-FM (December 5, 2009).
• "Miyuki Nakajima's All Night Nippon Monthly" (中島みゆきのオールナイトニッポン月イチ_{Miyuki Nakajima's All Night Nippon Monthly}^Japanese) (April 2013 - September 2018), broadcast once a month.

6.2. Television Dramas and Films

While primarily known for her music, Nakajima has also made occasional forays into acting and narration in television dramas and films.

• Ashita no Keiji (明日の刑事_{Tomorrow's Detective}^Japanese) (TBS, December 7, 1977): Her first drama appearance, in episode 10.
• Shin'ai Naru Mono e (親愛なる者へ_{To My Beloved}^Japanese) (Fuji TV, July 9 & September 17, 1992): She played the role of Ritsuko Nagumo, a doctor, in the second and final episodes. The drama was titled after her 1979 studio album.
• Yousei Florence (妖精フローレンス_{Fairy Florence}^Japanese) (1985): Voice role as Fairy Musica.
• Tokyo Biyori (東京日和_{Tokyo Weather}^Japanese) (1997): Appeared as a bar hostess.
• Sayonara Color (サヨナラCOLOR_{Goodbye Color}^Japanese) (2005): Played the role of Doctor Iwaodake.
• Glass no Tsukai (ガラスの使徒_{Glass Apostle}^Japanese) (2005): Appeared as Itoko, the fortune-teller.
• The Mamiya Brothers (間宮兄弟_{Mamiya Kyōdai}^Japanese) (2006): Played Junko Mamiya.
• Tokyo Zenryoku Shoujo (東京全力少女_{Tokyo Full-Power Girl}^Japanese) (NTV, October 10, 2012): Made a cameo appearance as a cleaner in the first episode.
• Yasuragi no Sato (やすらぎの郷_{Village of Tranquility}^Japanese) (TV Asahi, June 29, July 7, August 22, 2017): Appeared as a resident pushing a wheelchair in episodes 64, 70, and 102. The person in the wheelchair was the drama's scriptwriter, Sō Kuramoto.
• Eien no Nishi Pa: Hokkaidō to Nazuketa Otoko Matsuura Takeshirō (永遠のニシパ ~北海道と名付けた男 松浦武四郎~_{Eternal Nishipa: The Man Who Named Hokkaido, Takeshirō Matsuura}^Japanese) (NHK General, July 15, 2019): Served as the narrator.

6.3. Commercials (CM)

Nakajima has also appeared in various television commercials, often featuring her music or persona.

• Kirin Brewery "Kirin Premium Beer" (1991).
• Ozeki "One Cup Ozeki" (1997): Co-starred with Masakazu Tamura.
• Japan's Ministry of Posts and Telecommunications "New Year's Postcard" (1993-2000): Nakajima herself appeared in these commercials, which often featured a new rendition of her early song "Jidai".
• Ministry of Posts and Telecommunications "Kamome Mail" (かもめーる_{Seagull Mail}^Japanese) (1994, 1995): Also featured Nakajima's appearance.
• Sapporo Beer "Hokkaido Nama Shibori" (北海道 生搾り_{Hokkaido Raw Squeeze}^Japanese) (2005): Co-starred with Hidetoshi Sakurai of Magokoro Brothers.
• Fujifilm Healthcare Laboratory "Astalift" (2008-2010): Featured her songs "Jidai" and "Nagisa no Balcony" as background music.
• Fujifilm "Oshōgatsu wo Utsusou♪ 'Astalift' Hen" (お正月を写そう♪「アスタリフト」篇_{Let's Take Pictures for New Year's♪ 'Astalift' Edition}^Japanese) (2009).
• Fujifilm "Fujicolor Postcard" (2010).
• Fujifilm "Oshōgatsu wo Utsusou♪ 2011" (お正月を写そう♪ 2011_{Let's Take Pictures for New Year's♪ 2011}^Japanese) (2010).
• Suntory Foods "BOSS Uchūjin Jones: Kinjirareta Wakusei Hen" (宇宙人ジョーンズ・禁じられた惑星 篇_{Alien Jones: Forbidden Planet Edition}^Japanese) (2022): She played the role of a "Space President."

6.4. Major Television Appearances

Miyuki Nakajima has made notable appearances on major Japanese television programs, particularly the annual Kōhaku Uta Gassen, which are significant events in her public career.

• 53rd Kōhaku Uta Gassen (2002):** Nakajima made her debut appearance on this prestigious New Year's Eve music program. She performed "Chijō no Hoshi" (地上の星_{Earthly Stars}^Japanese) live via satellite from the Kurobe Dam (Kurobe River No. 4 Power Station). This performance garnered the highest viewership rating among all artists that year, reaching 52.8% in the Kanto region. She famously made a lyrical mistake during the performance due to extreme tension in the cold environment, but the public's reaction was overwhelmingly positive. This was her first live television performance since the late 1970s.
• 65th Kōhaku Uta Gassen (2014):** Nakajima made her second appearance on Kōhaku Uta Gassen after a 12-year hiatus. She performed "Mugi no Uta" (麦の唄_{Wheat Song}^Japanese), the theme song for the NHK Asadora Massan. Her performance was broadcast live from NHK Broadcasting Center's CT-101 studio, and she was joined by Massan cast members Tetsuji Tamayama and Charlotte Kate Fox. She performed right before the final act of the evening.

6.5. Interactive Media

Nakajima's work has also extended into interactive media, including video games and CD-ROMs.

• Nakajima Miyuki Namiromu (なみろむ_Namiromu^Japanese) (PlayStation, October 15, 1998): This was a PlayStation title.
• Namigoyomi (なみごよみ_{Wave Calendar}^Japanese) (CD-ROM, December 2003).
• Namimekuri (なみめくり_{Wave Turning}^Japanese) (CD-ROM, December 2004): This CD-ROM featured a birthday setting, where Nakajima herself would deliver a congratulatory message in her own voice on the user's birthday.

7.1. Studio Albums

Nakajima has released 44 studio albums, consistently producing new material throughout her career.

7.2. Singles

Nakajima has released 48 singles throughout her career, many of which achieved significant chart success.

7.3. Live Albums

Nakajima has released several live albums, capturing the energy and artistry of her concert and 'Yakai' performances.

7.4. Video Releases

Nakajima's video releases include collections of music videos, recordings of her 'Yakai' theatrical performances, and live concert films.

7.5. Compilation and Box Sets

Nakajima's career is also represented by various compilation albums and comprehensive box sets.

7.6. Special Albums (Cover, Tribute, International, Instrumental)

Nakajima's discography also includes various special releases, such as albums featuring covers by other artists, tribute albums, instrumental collections, and albums released exclusively internationally.

7.7. Live Concert Films

Nakajima's live performances have also been released as theatrical films, allowing audiences to experience her concerts in cinemas.

8.1. Major Music Awards

Nakajima has been honored with several prestigious awards from Japanese music ceremonies:

• Japan Record Awards:**
  • 1976 (18th): Vocal Performance for "Abayo" (あばよ_Farewell^Japanese) (Performer: Naoko Ken / Composer and lyricist: Nakajima).
  • 1978 (20th): Gold Prize for "Shiawase Shibai" (しあわせ芝居_{Happy Play}^Japanese) (Performer: Junko Sakurada / Composer and lyricist: Nakajima).
  • 1981 (23rd): Best 10 Albums for Month of Parturition (Ringetsu) (Performer, composer, lyricist, and producer: Nakajima).
  • 1982 (24th): Best Albums/Best 10 Albums for Kansuigyo (寒水魚_{Cold Water Fish}^Japanese) (Performer, composer, lyricist, and producer: Nakajima).
  • 1983 (25th): Best Songwriting for "Haru na no ni" (春なのに_{Even Though It's Spring}^Japanese) (Lyricist and producer: Nakajima / Performer: Yoshie Kashiwabara).
  • 1984 (26th): Gold Prize for "Saiai" (最愛_Dearest^Japanese) (Performer: Yoshie Kashiwabara / Lyricist and composer: Nakajima).
  • 1988 (30th): Gold Prize for "Mugo, n... Iroppoi" (MUGO・ん...色っぽい_{Sexy Silence}^Japanese) (Performer: Shizuka Kudo / Lyricist: Nakajima).
  • 1992 (34th): Best 10 Albums for East Asia (Performer, composer, lyricist, and producer: Nakajima).
  • 2006 (48th): Best Lyrics for "Sorafune" (宙船_{Ship in the Air}^Japanese) (Performer: TOKIO / Lyricist and composer: Nakajima).
• Japan Gold Disc Award:**
  • 1989 (4th): Five Best-selling Singles of the year for "Kōsa ni Fukarete" (黄砂に吹かれて_{Blown by Yellow Dust}^Japanese) (Performer: Shizuka Kudo / Lyricist: Nakajima).
  • 1994 (9th): Five Best-selling Singles of the year for "Sora to Kimi no Aida ni" (空と君のあいだに_{Between the Sky and You}^Japanese)/"Fight!" (Performer, composer, lyricist, and producer: Nakajima).

8.2. Government Honors

In addition to music industry awards, Nakajima has received commendations from the Japanese government for her cultural contributions.

• Arts Selection Minister of Education, Culture, Sports, Science and Technology Award (2006):** Nakajima was awarded this prestigious honor, becoming the first singer-songwriter to receive it. The award recognized her "Concert Tour 2005."
• Medal of Honor with purple ribbon (November 2009):** This medal, bestowed by the Government of Japan, recognizes individuals who have made outstanding contributions to academic and artistic developments, improvements and accomplishments.

9.1. Musical Influence

Nakajima's creative power is widely acknowledged, and her compositions have significantly influenced subsequent generations of musicians. She is regarded as a master songwriter and composer within the Japanese music scene. Her unique approach to songwriting, characterized by cutting slices of everyday life and exploring the complex emotions of ordinary people, has resonated deeply. Her skillful use of metaphors and her ability to touch upon universal themes have made her lyrics relatable and profound for many.

Her distinctive vocal style, marked by deep breaths, a powerful voice, and the ability to switch between various vocal tones to convey different emotions, has also set a high standard. Her proficiency in key changes, a common feature in her songs, adds a unique musical complexity. Many artists have covered her songs, particularly in Taiwan and Hong Kong, attesting to her widespread musical influence across Asia. The fact that she was the only musician to participate in the National Language Council of Japan further underscores her recognized mastery of the Japanese language and its artistic expression through song.

9.2. Cultural Impact

Miyuki Nakajima's cultural impact spans various facets of Japanese society and beyond. Her songs have achieved immense popularity not only in Japan but also across other parts of Asia, particularly in Taiwan and Hong Kong, where numerous cover versions by local singers have proliferated. This cross-cultural appeal highlights the universal resonance of her themes and melodies.

Her collaborations with film and television have also significantly amplified her cultural footprint. Her songs have served as powerful theme songs for popular dramas and films, such as "Sora to Kimi no Aida ni" for Ienakiko and "Earthly Stars" for Project X, embedding her music into the collective consciousness of different generations. Her rare but impactful television appearances, like her performance on Kōhaku Uta Gassen from Kurobe Dam, became cultural moments themselves, further cementing her status as a revered figure.

Beyond her direct musical output, Nakajima's unique artistic endeavors, such as the 'Yakai' theatrical concert series, have broadened the scope of musical performance in Japan, pushing boundaries between traditional concerts and dramatic arts. Her role in the National Language Council of Japan also signifies her recognition as a guardian and innovator of the Japanese language, a testament to the depth and artistry of her lyrics. Overall, Miyuki Nakajima is widely regarded as a cultural icon whose work continues to inspire and resonate across diverse audiences.

9.3. Rivalry and Friendships

Miyuki Nakajima's career has often been framed in contrast to that of another iconic Japanese singer-songwriter, Yumi Matsutoya. Often described as "the moon and the sun" or "light and shadow," Matsutoya was typically characterized as the "Queen of Love Songs" who adapted to trends, while Nakajima was seen as the "Queen of Heartbreak Songs" or the "best at singing women's emotions," forging her own path. Despite this media-driven rivalry, both artists hold deep mutual respect. Matsutoya has openly called Nakajima her "rival" but also expressed admiration, stating, "I think she's amazing. She creates incredible music. Her worldview is incredible." Nakajima, in turn, has expressed her respect for Matsutoya in her writings. Their friendship is evidenced by Matsutoya's husband, Masataka Matsutoya, having arranged some of Nakajima's songs, and their seven radio dialogues over the years. Matsutoya once humorously described Nakajima's music as "like a light drizzle that dampens the laundry I've just dried," adding, "But let's continue to add texture to the fabric of Japan together."

Beyond Matsutoya, Nakajima maintains several close friendships and professional relationships within the music industry. Hiroko Taniyama is considered a close comrade, having emerged from the same Yamaha Popular Song Contest and sharing a common radio writer for their respective All Night Nippon programs. They have collaborated on stage, notably in the "Yakai Winter Garden" in 2000. Other close friends and "disciples" who have received songs from Nakajima and been influenced by her include Naoko Ken, Shizuka Kudo, and Naka Nakamura.