1. Early Life and Career
Masayoshi Soken's early life laid the foundation for his diverse musical journey, beginning with a unique educational background and transitioning into his initial professional roles within the video game industry.
1.1. Birth, Childhood, and Education
Soken was born on January 10, 1975, in La Paz, Baja California Sur, Mexico. His family later relocated to Tokyo, Japan, where he spent much of his formative years. Despite his eventual career in music, he pursued higher education at the Tokyo University of Science, where he majored in chemistry. Soken was exposed to music from a very young age, largely due to his parents' musical talents; his father was a professional trumpet player, and his mother taught piano, operating a music school from their home. He later discovered, to his surprise, that his father had contributed to the recordings of the Dragon Quest orchestral suites.
1.2. Early Career at Konami and Square Enix
Instead of pursuing a career in science after his university studies, Soken was hired by Konami in 1998 as a sound editor and designer. At Konami, he worked on the arcade rail shooter Evil Night. In 1998, he transitioned to Square, which later became Square Enix. His early work at the company predominantly focused on sound effect design rather than music composition. He assisted Kenji Ito on sports video games, such as Gekikuukan Pro Baseball: The End of the Century 1999. Soken's debut as a sole composer came with the Japan-exclusive sports game Nichibeikan Pro Baseball: Final League. He also composed for World Fantasista alongside synthesizer programmer Takeharu Ishimoto.
2. Major Musical Works
Masayoshi Soken has made substantial contributions to the video game music landscape, most notably through his extensive work on the Final Fantasy series, which has cemented his reputation as a leading composer and sound director.
2.1. Final Fantasy XIV Series
Soken's role in the Final Fantasy XIV series is paramount, as he has not only directed its sound but also composed much of its iconic music, actively engaging with fans through various musical endeavors.
2.1.1. Role as Sound Director and Lead Composer
Following a development team reshuffling in 2010, Masayoshi Soken became the sound director for Final Fantasy XIV. With the relaunch of the game as Final Fantasy XIV: A Realm Reborn in 2013 and its subsequent expansions, he took on the crucial role of primary composer, shaping the game's distinctive and expansive soundscape. His dedicated efforts were recognized in 2017 when Final Fantasy XIV earned a Guinness World Record for being the video game title with the most original soundtracks.
2.1.2. The Primals Band Activities
To further connect with the Final Fantasy XIV community and bring the game's music to life, Soken formed "The Primals," a rock band comprising members of the sound team. The band performs music from Final Fantasy XIV at various live events, including the official Fan Festivals. The Primals have released several albums, beginning with Final Fantasy XIV: From Astral to Umbral. The band has also undertaken successful tours, such as "THE PRIMALS Live Tour 2018 - Trial By Shadow -" held in Zepp halls across Japan and at the Yes24 LiveHall in South Korea, with tickets selling out rapidly. In June 2022, they held "THE PRIMALS Live in Japan -Beyond the Shadow-" at Makuhari Messe, which also saw immediate sell-outs.

2.1.3. Composition for Expansion Packs
Soken's compositional work for the Final Fantasy XIV expansion packs has been extensive. A significant moment in his career came in 2018 when Nobuo Uematsu, who had composed the main themes for previous expansions, was unable to contribute due to illness. Soken was then tasked with composing the main theme for Final Fantasy XIV: Shadowbringers. This marked a milestone as Shadowbringers became the first expansion in the Final Fantasy XIV series to be created without Uematsu's direct involvement in its main theme, making its soundtrack Soken's first complete work for the series. His composition "Endwalker" from the Final Fantasy XIV: Endwalker expansion reached number one on the Billboard Hard Rock Digital Song Sales chart in November 2021. In September 2022, he unveiled "Scream," the background music for Final Fantasy XIV's Pandæmonium: Anabaseios (Purgation), featuring AKINO from bless4, which ranked fifth on the Oricon Daily Digital Single Chart (single track) on October 7, 2022.
2.2. Final Fantasy XVI and Other Key Video Game Works
Beyond his central role in Final Fantasy XIV, Masayoshi Soken has contributed significantly to other notable video game titles, demonstrating his versatility as a composer.
In June 2022, it was officially revealed that Soken would serve as the lead composer for Final Fantasy XVI, a highly anticipated title for the PlayStation 5. His work on Final Fantasy XVI garnered numerous accolades, including the Best Original Soundtrack award at the EQUINOX LATAM Game Awards in October 2023, the Best Audio award at the Golden Joystick Awards 2023 in November 2023, and the Best Score and Music award at The Game Awards 2023 in December 2023. Additionally, in March 2024, he received the Music Category's highest honor at the Famitsu Dengeki Game Awards 2023 in Japan for his contributions to the game.
Other key video game titles to which Soken contributed include:
- Drakengard 2 (2005), for which he served as sound designer.
- Front Mission 5: Scars of the War (2005), where he composed "Blue Stream" and was also a sound designer.
- Mario Hoops 3-on-3 (2006), his debut as a lead composer, where he composed and arranged the score with Koji Kondo and Yukio Kaneoka.
- Dawn of Mana (2006), known as Seiken Densetsu 4 in Japan, where he contributed to the soundtrack alongside Kenji Ito and Tsuyoshi Sekito, with the main theme provided by Ryuichi Sakamoto. Soken also arranged several tracks from previous Mana games and performed the electric guitar for his arrangements.
- Elebest (2007), an online game he scored with Ai Yamashita.
- Nanashi no Game (2008), for which he composed under the pseudonym "Luis Noma," and its sequels Nanashi no Game: Me (2009), Noroi no Game: Chi (2009), and Noroi no Game: Oku (2009).
- Lord of Vermilion (2008) and Lord of Vermilion II (2009), for which he was a sound designer.
- Mario Sports Mix (2010), composed with Kumi Tanioka.
- Lord of Arcana (2010), for which he was a sound designer.
- Ikenie no Yoru (2011), composed with Ai Yamashita.
- Drakengard 3 (2014), where he served as a sound editor.
- Final Fantasy XIV: Dawntrail (2024), an expansion to Final Fantasy XIV.
2.3. Other Musical Contributions
Beyond his prominent roles in major video game titles, Masayoshi Soken has diversified his musical output, contributing to various other projects. He has composed music for Square Enix advertisements, including the sports commercial song "Blue Stream" for Front Mission 5: Scars of the War, which was his only composition in that game. He also participated in a Square Enix pencil commercial where he was comically "beaten up" by two robots, featuring his own music. Soken created the fanfare for Square Enix Music TV, a monthly video feature that discusses new album releases and conducts interviews with Square Enix composers.
For the iTunes-exclusive Square Enix Music Official Bootleg collection, Soken contributed "Dog Street" to the first volume in 2006, and "Languid Afternoon" to the third volume in 2007, under the alias "Sorbonne Soken." In 2009, he composed "Otome no Junjo," the ending theme for the anime Natsu no Arashi! Akinai-chuu. In 2020, he provided the opening theme for "Wasyagana TV," a YouTube channel featuring voice actor Yuichi Nakamura, and also performed the vocals at Nakamura's request. He has also provided theme songs for other projects, such as "N Cafe!!! Nanjo Yoshino to Kataru More - animelo mix" in 2021, "RED BLAZE : BLUE FLAME" for Aina Suzuki's 2nd album "Belle révolte" in 2021, and "Seiyakou" for Yoshino Nanjo's "Journeys Trunk" in 2022.
In June 2022, Soken announced that he had composed new entrance theme music for professional wrestlers: "OTAKEBE...!!" for Pro Wrestling Noah's Akiteru Inamura, and "Princess March" as the new group theme song for Tokyo Joshi Pro-Wrestling. His work also includes sound design for games such as Kamaitachi no Yoru 2 (2002).
3. Musical Style and Influences
Masayoshi Soken's distinctive musical style is characterized by his player-centric approach and a philosophy that prioritizes the gaming experience. He credits his extensive background as a sound designer, sound editor, and voice editor with providing him the skills and resilience necessary to handle the immense pressure of composing for a large-scale project like the Final Fantasy XIV remake. When tasked with arranging or building upon music originally composed by Nobuo Uematsu for Final Fantasy titles, Soken takes particular care to ensure the arrangements serve the player's experience. He primarily composes using piano and keyboard but expresses a preference for playing electric guitar during live performances. Soken has publicly stated that his favorite bands are Rage Against the Machine and Pennywise, indicating an influence from rock and punk rock genres in his work.
4. Personal Life and Notable Events
Beyond his professional accomplishments, Masayoshi Soken's personal life has seen significant events, some of which he has shared publicly, offering insights into his resilience and dedication.
4.1. Family Background
Masayoshi Soken's family has a strong musical foundation. His father, Masanori Soken (1940-2013), was a renowned professional trumpet player who served as the principal trumpet player for the NHK Symphony Orchestra. From 1990 to 2005, his father was a professor at the Okinawa Prefectural University. In 2001, he founded the Ryukyu Symphony Orchestra and served as its first representative. Soken's mother taught both electone and piano, and she operated a music school from their family home, providing him with early and consistent exposure to music.
4.2. Health and Cancer Battle Disclosure
During the Final Fantasy XIV Digital Fan Festival in May 2021, Masayoshi Soken made a public announcement that he had been undergoing chemotherapy for cancer treatment throughout most of 2020. He also shared that the cancer was in remission at the time of the announcement. Soken intentionally kept his health condition hidden from most of the development team to avoid causing them concern. Throughout his treatment, he continued to work on Final Fantasy XIV from his hospital room, a testament to his dedication. This was facilitated by Square Enix president Yosuke Matsuda and Final Fantasy XIV producer and director Naoki Yoshida, who arranged for him to have the necessary setup to continue his creative process from the hospital. He also stated his intention to keep his illness a secret from users to prevent them from worrying about him.
4.3. Public Image and Aliases
Masayoshi Soken maintains a distinct public image and has adopted several aliases throughout his career. He has been credited under pseudonyms such as "Sorbonne Soken" and "Luis Noma," the latter used for works like the Nanashi no Game series. He is also known for his self-proclaimed nickname "Nii Soken," which is linked to his stated fondness for knee-high socks. Furthermore, Soken is recognized for his skill as an Otamatone player, an electronic musical instrument known for its distinctive sound. He is an official member of the band "The Primals."
5. Awards and Recognition
Masayoshi Soken's significant contributions to video game music and sound design have been recognized with numerous awards and accolades.
- 2013**: "Best High Sound Quality Award" at the 6th DEG Japan Awards/Blu-ray Awards for "Before Meteor FINAL FANTASY XIV Original Soundtrack."
- 2014**: CEDEC AWARD of Excellence for "Proposing New Possibilities for Game Soundtracks Using High-Resolution Audio Sources."
- 2015**: CEDEC AWARD of Excellence for his efforts in "Approaching the Visualization of Sound."
- 2016**: CEDEC AWARD of Excellence for "Active Achievements in Improving Game Sound Quality."
- 2019**: Album Award (1st place) at the PlayStation Game Music Awards 2019 for "STORMBLOOD: FINAL FANTASY XIV Original Soundtrack."
- 2022**: "Excellence in Original Score" award at the SXSW Gaming Awards for Final Fantasy XIV: Endwalker.
- 2023**:
- "Best Original Soundtrack" at the EQUINOX LATAM Game Awards for Final Fantasy XVI.
- "Best Audio" at the Golden Joystick Awards 2023 for Final Fantasy XVI.
- "SONG/SCORE - COMMERCIAL ADVERTISEMENT" at the Hollywood Music In Media Awards for Final Fantasy XVI.
- "Best Score and Music" at The Game Awards 2023 for Final Fantasy XVI.
- 2024**: "Music Category - Grand Prize" at the Famitsu Dengeki Game Awards 2023 for Final Fantasy XVI.
6. Discography
Masayoshi Soken has contributed extensively to numerous albums and soundtracks, primarily for the Final Fantasy XIV series, as well as various other game and arrangement albums.
No. | Release Date | Title | Content | Notes |
---|---|---|---|---|
1st | March 26, 2014 | A REALM REBORN FINAL FANTASY XIV Original Soundtrack | A Realm Reborn Original Soundtrack All 119 tracks | Oricon Weekly Music Album 10th |
2nd | December 17, 2014 | From Astral to Umbral FINAL FANTASY XIV Arrangement Album | Arrangement Album 6 Piano tracks 6 THE PRIMALS tracks | Oricon Weekly Music Album 28th |
3rd | August 26, 2015 | BEFORE THE FALL FINAL FANTASY XIV Original Soundtrack | A Realm Reborn Patches 2.1-2.5 Original Soundtrack All 61 tracks | Oricon Weekly Music Album 4th |
3rd | February 24, 2016 | HEAVENSWARD FINAL FANTASY XIV Original Soundtrack | Heavensward Original Soundtrack All 58 tracks | Oricon Weekly Music Album 9th |
4th | December 7, 2016 | Duality FINAL FANTASY XIV Arrangement Album | Arrangement Album 6 Piano tracks 8 THE PRIMALS tracks | Oricon Weekly Music Album 15th |
5th | June 7, 2017 | THE FAR EDGE OF FATE FINAL FANTASY XIV Original Soundtrack | Heavensward Patches 3.2-3.5 Original Soundtrack All 50 tracks | Oricon Weekly Music Album 8th |
6th | September 20, 2017 | FINAL FANTASY XIV Orchestral Arrangement Album | Orchestra Concert Pre-release All 8 tracks | Oricon Weekly Music Album 30th |
7th | September 20, 2017 | Untempered FINAL FANTASY XIV Primal Battle Themes | Primal compilation album | Official Shop Exclusive |
8th | December 20, 2017 | Eorzean Symphony FINAL FANTASY XIV Orchestral Album | Orchestra Concert Album All 28 tracks | Oricon Weekly Music Album 7th |
9th | May 16, 2018 | THE PRIMALS | THE PRIMALS Original Album All 18 tracks | Oricon Weekly Music Album 7th |
10th | July 4, 2018 | Time and Again FINAL FANTASY XIV Raid Dungeon Themes | Raid Compilation Album | Official Shop Exclusive |
11th | July 4, 2018 | STORMBLOOD FINAL FANTASY XIV Original Soundtrack | Stormblood Original Soundtrack All 105 tracks | Oricon Weekly Music Album 6th |
12th | November 14, 2018 | FINAL FANTASY XIV - The Best | Final Fantasy XIV Best Album All 50 tracks | Oricon Weekly Music Album 14th |
13th | February 6, 2019 | THE PRIMALS Zepp Tour 2018 - Trial By Shadow | THE PRIMALS Live Album All 33 tracks | Oricon Weekly Music Blu-ray 5th |
14th | February 6, 2019 | Piano Collections FINAL FANTASY XIV | Piano Arrangement Album | Official Shop Exclusive |
15th | September 11, 2019 | SHADOWBRINGERS FINAL FANTASY XIV Original Soundtrack | Shadowbringers Original Soundtrack All 88 tracks | Oricon Weekly Music Album 4th Oricon Weekly Music Digital 1st |
16th | September 18, 2019 | FINAL FANTASY XIV Orchestral Arrangement Album Vol. 2 | Orchestra Concert Pre-release All 8 tracks | Oricon Weekly Music Album 92nd |
17th | December 11, 2019 | Eorzean Symphony FINAL FANTASY XIV Orchestral Album Vol. 2 | Orchestra Concert Album All 27 tracks | Oricon Weekly Music Album 10th |
18th | September 30, 2020 | Pulse FINAL FANTASY XIV Remix Album | Remix Album All 14 tracks | Oricon Weekly Music Album 9th |
19th | March 24, 2021 | Scions & Sinners FINAL FANTASY XIV Arrangement Album | Arrangement Album 11 Piano tracks 8 THE PRIMALS tracks | Oricon Weekly Music Album 4th |
20th | March 24, 2021 | Untempered2 FINAL FANTASY XIV Primal Battle Themes | Primal Compilation Album | Official Shop Exclusive |
21st | August 31, 2021 | FINAL FANTASY XIV Vinyl LP Box | LP Box | |
22nd | September 15, 2021 | Death Unto Dawn FINAL FANTASY XIV Original Soundtrack | Shadowbringers Patches 5.1-5.5 Original Soundtrack All 84 tracks | Oricon Weekly Music Album 3rd |
23rd | November 17, 2021 | ENDWALKER 7-inch Vinyl Single | EP | Oricon Weekly Music Digital 3rd Billboard WORLD Charts Hard Rock Digital Song Sales 1st |
24th | February 23, 2022 | ENDWALKER FINAL FANTASY XIV Original Soundtrack | Endwalker Original Soundtrack All 62 tracks | Oricon Weekly Music Album 3rd |
24th | May 25, 2022 | THE PRIMALS Beyond the Shadow | THE PRIMALS Mini-Album All 4 tracks | Oricon Weekly Music Digital 5th |
25th | September 14, 2022 | THE PRIMALS Live in Japan Beyond the Shadow | THE PRIMALS Concert Video | |
26th | December 3, 2022 | ENDWALKER Vinyl LP | LP | |
27th | December 7, 2022 | FINAL FANTASY XIV Orchestral Arrangement Album Vol. 3 | Orchestra Concert Pre-release All 7 tracks | |
28th | April 26, 2023 | Eorzean Symphony: FINAL FANTASY XIV Orchestral Album Vol. 3 | Orchestra Concert Album All 29 tracks | |
29th | September 25, 2023 | Sanctuary's Heart: FINAL FANTASY XIV Chill Arrangement Album | Arrangement Album All 20 tracks | |
30th | November 29, 2023 | Scions & Sinners FINAL FANTASY XIV Arrangement Album | Arrangement Album 9 Piano tracks 10 THE PRIMALS tracks | |
31st | December 16, 2023 | FINAL FANTASY XIV Vinyl LP Box Vol.2 | LP Box | |
32nd | March 27, 2024 | GROWING LIGHT FINAL FANTASY XIV Original Soundtrack | Endwalker Patches 6.1-6.5 Original Soundtrack All 93 tracks |