1. Early Life and Background
Aure Atika's early life and family background provide insight into her origins and upbringing, shaping her path into the arts.
1.1. Birth and Family Background
Aure Atika was born on 12 July 1970 in Portugal. She was raised in Paris, France. Her mother, Ode Atika Bitton, is of Jewish-Moroccan heritage. The identity of her biological father has been a complex matter; her mother informed her that she was conceived with Michel Fournier during a period when both had been using drugs. However, her father did not acknowledge her, and a subsequent DNA test confirmed that there was no biological relationship between them.
2. Career
Aure Atika has pursued a dynamic career encompassing acting, directing, and writing across various mediums, primarily in film and television.
2.1. Acting Career
Atika has built an extensive acting career, appearing in numerous feature films, short films, and television productions. Her roles have varied widely, showcasing her versatility as an actress.
2.1.1. Filmography
Atika's filmography includes a significant number of feature and short films.
| Year | Title | Role | Notes |
|---|---|---|---|
| 1979 | The Adolescent | uncredited | |
| 1992 | Sam suffit | Eva | |
| 1995 | Toujours les filles souffriront d'amourlo | Short film | |
| 1996 | Homo automobilis | Short film | |
| 1997 | Ecchymose | Short film | |
| 1997 | Just Do It | Short film | |
| 1997 | La Vérité si je mens ! | Karine Benchetrit-Mimran | |
| 1997 | The Secret of Polichinelle | Aure | |
| 1997 | Long Live the Republic | Sabine | |
| 1998 | (G)rève party | Julie | |
| 1998 | Bimboland | Alex Baretto | |
| 1999 | Influence Peddling | Sandrine Anthen | |
| 1999 | Une vie de prince | Josée | |
| 2000 | Highway Melody | Périnne | |
| 2000 | Poetical Refugee | Nassera | |
| 2001 | La Vérité si je mens ! 2 | Karine Benchetrit-Mimran | |
| 2003 | Mister V. | Cécile | |
| 2004 | Le quattro porte del deserto | Dassine | |
| 2004 | Turn Left at the End of the World | Simone Toledano | |
| 2004 | Le convoyeur | Isabelle | |
| 2004 | 3 Dancing Slaves | Emilie | |
| 2004 | Testament | Nora | |
| 2005 | Bonbon au poivre | Mélanie | |
| 2005 | The Beat That My Heart Skipped | Aline | |
| 2006 | OSS 117: Cairo, Nest of Spies | Princess Al Tarouk | |
| 2006 | Hey Good Looking ! | Léa | |
| 2007 | Ill Wind | Frédérique | |
| 2007 | La Vie d'artiste | Manager of Hippopotamus | |
| 2007 | Fear(s) of the Dark | Laura | Voice |
| 2008 | 48 heures par jour | Marianne | |
| 2008 | Versailles | Nadine | |
| 2008 | Crossfire | Marianne | |
| 2009 | Mademoiselle Chambon | Anne-Marie | |
| 2009 | Sticky Fingers | Maddy | |
| 2010 | Copacabana | Lydie | |
| 2011 | Play It Like Godard | Marie | |
| 2011 | Skylab | ||
| 2012 | Dreaming of Love Again | Jeanne | |
| 2012 | The Truth I Lied 3 | Karine Benchetrit-Mimran | |
| 2013 | Nesma | Claire Slimane | |
| 2014 | Avis de mistral | Magali | Also known as Love in Provence |
| 2014 | False Movement | ||
| 2014 | Papa Was Not a Rolling Stone | Zohra | |
| 2015 | Dad in Training | Judith | |
| 2017 | L'Un dans l'autre | Aimée | |
| 2017 | The Nature of Time | ||
| 2017 | Until the Birds Return | ||
| 2019 | Souviens-toi de nous | Carole | |
| 2020 | 10 Days with Dad | Isabelle Mercier | |
| 2020 | Into the World | Sylvie | |
| 2021 | Rose | Sarah Goldberg | |
| 2022 | La maison | Delilah |
2.1.2. Television
Atika has also appeared in various television series, mini-series, and as a guest on talk shows.
| Year | Title | Role | Notes |
|---|---|---|---|
| 1995-1996 | Sexy Zap | Co-Host | Segments: "(segment "Ça se regarde)" (22 September 1995 episode), "(segment "Ça se regarde)" (5 January 1996 episode) |
| 1999 | Premières neiges | Juliette | |
| 2001 | Combats de femme - Libre à tout prix | Maud | |
| 2001 | Les enfants de la télé | Herself | 12 January 2001 episode |
| 2001-2006 | Tout le monde en parle | Herself | 3 March 2001 episode, 6 May 2006 episode |
| 2005 | Le juge est une femme | Céline | Episode: Ficelle |
| 2005 | Le grand journal de Canal+ | Herself | 7 April 2005 episode |
| 2006 | En aparté | Herself | 30 April 2006 episode |
| 2006 | Tsunami: The Aftermath | Simone | TV mini-series |
| 2008 | T'empêches tout le monde de dormir | Herself | 1 episode |
| 2012 | World Without End | Queen Isabella | TV mini-series |
| 2014 | Les hommes de l'ombre | Gabrielle Tackichieff | 6 episodes |
| 2016 | The Night Manager | Sophie (Sameera) Alekan | TV mini-series |
| 2017 | Capitaine Marleau | Judith Garin | 1 episode |
| 2019 | The Journey | Mysterious Woman | Super Bowl film |
2.2. Directing and Writing Career
Beyond her acting roles, Aure Atika has also taken on the roles of director and writer, primarily for short films.
| Year | Title | Role | Notes |
|---|---|---|---|
| 2003 | À quoi ça sert de voter écolo? | Writer/Director | Short film, title translates to "What's the point of voting Green?" |
| 2007 | De l'amour | Director | Short film, title translates to "In Love" |
| 2013 | On ne badine pas avec Rosette | Director | Short film, title translates to "You do not mess with Rosette" |
3. Awards and Nominations
Aure Atika has received recognition for both her acting and directing work, including nominations for prestigious awards.
She won the 2004 Best French-Language Short Film Award at the Créteil International Women's Film Festival for her directorial work on À quoi ça sert de voter écolo? (2003). This film also earned her the 2004 Prix de la Fondation Beaumarchais for best short film. In 2010, she was nominated for a César Award for Best Supporting Actress for her performance in Mademoiselle Chambon (2009). Additionally, she received a nomination for the 2014 Trophée francophone for best actress for her role in Nesma (2013).
4. Personal Life
Aure Atika has one daughter, Angelica, who was born in February 2002. Angelica's father is Philippe Zdar, a member of the house music group Cassius.
5. Impact and Evaluation
Aure Atika's career demonstrates a significant presence in the French film and television industry, characterized by her versatility and engagement with diverse projects. Her work as a director, particularly on films like À quoi ça sert de voter écolo?, highlights an interest in social commentary and political themes, aligning with a progressive artistic sensibility. Winning an award at the Créteil International Women's Film Festival further underscores her contributions as a female filmmaker, promoting diverse voices and narratives within the industry. Her consistent work in both mainstream and independent productions, coupled with critical recognition such as her César nomination, solidifies her standing as an impactful figure in contemporary French cinema.