Yoshinori Shimizu

2.1. Early Career and Mentorship

Shimizu developed a keen interest in science fiction from his junior high school days, becoming an active fan and doujin writer. He self-published his own science fiction doujinshi, `Super Nova`. In 1969, a story from his doujinshi, `Bokenkyo Jidai` (Adventure Frenzy Era), was featured in the prominent Japanese science fiction doujinshi `Uchujin` and subsequently published in the commercial magazine `Suirikai` (Mystery World). After graduating from university, Shimizu moved to Tokyo at the recommendation of the acclaimed novelist Ryo Hanmura, whom he had met earlier. He became an apprentice to Hanmura, though he humorously noted that his mentor primarily taught him about food and drink. This period laid the groundwork for his professional writing career, which formally began in 1977.

3.1. Debut and Early Works

Shimizu made his official debut as a published author in 1977 with the release of `Esper Shonen Massatsu Sakusen` (Esper Boy Annihilation Operation) under the Sonorama Bunko imprint. This marked the beginning of his prolific period in young adult science fiction, where he published numerous works, including the `Uchūshi Series` (Cosmic History Series). His work `Showa Gozen Jiai` (Showa Imperial Tournament), published in 1981, is generally considered his debut for a broader, general audience. These early works established his presence in the Japanese literary scene, particularly within the speculative fiction genre.

3.2. Pastiche and Stylistic Innovation

Shimizu's most distinctive and celebrated contribution to Japanese literature is his innovative use of pastiche and parody, a technique where he meticulously imitates the writing styles of other authors to create humorous and original narratives. This approach is prominently featured in his short story collection `Soba to Kishimen` (1986), where, for instance, he retells the classic Japanese folk tale `Saru Kani Gassen` (The Crab and the Monkey) in the style of the renowned historical novelist Ryotaro Shiba. He also applied this technique to the same folk tale, using the style of Saiichi Maruya in `Saru Kani Gassen to wa Nani ka` (What is the Crab and the Monkey Battle?). Over his career, Shimizu has authored hundreds of short stories employing this unique method, showcasing his versatility and wit.

3.3. Mystery and Detective Fiction

Beyond his pastiche works, Shimizu has also made significant inroads into the mystery fiction genre, often infusing his narratives with his characteristic humor. He is particularly known for several popular detective series, including the "Sōutsu Tantei Kombi no Jikenbo Series" (The Cases of the Manic-Depressive Detective Duo). Key titles in this series include `H Satsujin Jiken` (The H Murder Case), `CM Satsujin Jiken` (The CM Murder Case), `DC Satsujin Jiken Sen` (The DC Murder Case Battle), `M Satsujin Jiken` (The M Murder Case), `Y Satsujin Jiken` (The Y Murder Case), and `W Satsujin Jiken` (The W Murder Case). Two stories from this series, `H Satsujin Jiken` and `Y Satsujin Jiken`, were adapted into two-hour television dramas by TBS. Another notable series in this genre is the "Yattokame Tanteidan" (Yattokame Detective Team) series, which further showcases his blend of mystery and regional themes.

3.4. "Nagoya Mono" and Regional Themes

A significant portion of Shimizu's work, often referred to as "Nagoya Mono" (Nagoya Things), is dedicated to exploring and promoting the culture and dialect of his hometown, Nagoya. His interest in regionalism became particularly prominent after he wrote `Ketsudan` (Decision), a short story featuring historical figures like Kiyomasa Kato and Kodai-in conversing in the Nagoya dialect. Through these works, he has actively endeavored to popularize local culture. His contributions were recognized with a "Meritorious Service Award" from the "Nagoya-ben wo Zenkoku ni Hiromeru Kai" (Society for Spreading Nagoya Dialect Nationwide) at the Osu Engeijo theater. He was also honored with the title of Honorary Citizen of Nagoya. The culmination of this thematic focus is seen in his novel `Kinko no Yume` (Dream of the Golden Orca), a parallel world science fiction narrative where the Toyotomi clan survived, established the Nagoya Shogunate, and the Nagoya dialect became the standard language of Japan.

3.5. Awards and Honors

Yoshinori Shimizu has received several prestigious literary awards and nominations throughout his career, recognizing his unique contributions to Japanese literature.

• In 1988, he was awarded the 9th Yoshikawa Eiji Prize for New Writers for his short story collection `Kokugo Nyushi Mondai Hisshoho` (How to Ace Japanese Language Entrance Exams).
• He was nominated for the highly regarded Naoki Prize on three separate occasions:
  • In 1989, for his novel `Kinko no Yume` (Dream of the Golden Orca).
  • In 1990, for his novel `Kyokō Shiritsu Fujōri Chūgakkō` (Fictional Absurdist Private Junior High School).
  • In 1992, for his novel `Kashiwagi Seiji no Seikatsu` (The Life of Seiji Kashiwagi).

  Despite multiple nominations, he did not win the Naoki Prize.

  • In 2009, Shimizu received the Chunichi Culture Prize for his "introduction of the essence of Nagoya culture and his humorous writing style."

4.1. Series Novels

• Esper Shonen Series**
  • `Esper Shonen Massatsu Sakusen` (Esper Boy Annihilation Operation), 1977 (Sonorama Bunko)
  • `Esper Shonen Jikū Sakusen` (Esper Boy Space-Time Operation), 1978.2 (Sonorama Bunko)
• Densetsu Series (Legend Series)**
  • `Kindan Seiiki no Densetsu` (Legend of the Forbidden Sanctuary), 1979.1 (Sonorama Bunko, later Haruki Bunko)
  • `Ogon Wakusei no Densetsu` (Legend of the Golden Planet), 1979.6 (Sonorama Bunko, later Haruki Bunko)
  • `Fushi Jinrui no Densetsu` (Legend of the Immortal Humanity), 1979.10 (Sonorama Bunko, later Haruki Bunko)
  • `Zetsumetsu Seigun no Densetsu` (Legend of the Extinct Star Cluster), 1980.4 (Sonorama Bunko, later Haruki Bunko)
  • `Rakuen Uchū no Densetsu` (Legend of the Paradise Universe), 1980.11 (Sonorama Bunko, later Haruki Bunko)
• Kentoshi Series (Gladiator Series)**
  • `Makai no Kentoshi` (Gladiator of the Demonic World), 1981.11 (Futaba Novels, later Bunko)
  • `Wakusei no Kentoshi` (Gladiator of the Planet), 1982.7 (Futaba Novels, later Bunko)
• Esper Connection Series**
  • `Shinkai no Itansha` (Heretic of the Divine World), 1981.5 (Sonorama Bunko)
  • `Tenku no Madōshi` (Sorcerer of the Sky), 1981.12 (Sonorama Bunko)
  • `Igyō no Toraijin` (Alien Visitor), 1982.8 (Sonorama Bunko)
  • `Ankoku no Hakaiō` (Dark King of Destruction), 1982.12 (Sonorama Bunko)
• Hunter & Witch Series**
  • `Yōma yo Tobe` (Fly, Demon!), 1983.5 (Sonorama Bunko)
  • `Yōma wo Ute` (Shoot the Demon!), 1983.7 (Sonorama Bunko)
• Majū Gakuen Series (Demon Beast Academy Series)**
  • `Majū Gakuen` (Demon Beast Academy), 1984.2 (Sonorama Bunko)
  • `Majū Gakuen 2` (Demon Beast Academy 2), 1984.5 (Sonorama Bunko)
• Genso Tanteisha Series (Fantasy Detective Agency Series)**
  • `Kai Jiken ga Ōsugiru` (Too Many Strange Cases), 1984.9 (Sonorama Bunko)
  • `ABO Satsujin Jiken` (The ABO Murder Case), 1984.12 (Sonorama Bunko)
  • `Futōmei Ningen no Chōsen` (Challenge of the Opaque Man), 1987.1 (Sonorama Bunko)
  • `Aribai Kuzushi ni Goyōjin` (Beware of Alibi Breaking), 1986 (Shishio)
  • `Futōmei Ningen no Chōsen` (Challenge of the Opaque Man), 1985 (Shishio)
  • `Yo ni mo Fushigi na Tasatsu Shitai` (A Strangely Murdered Corpse), 1986 (Shishio)
  • `Eirian Uōsaō` (Aliens in Confusion), 1986 (Shishio)
  • `Shin Genso Tanteisha` (New Fantasy Detective Agency), 1992.6 (Asahi Sonorama)
  • `UWO Arawaru!` (UWO Appears!), 1990.10 (Shishio)
  • `Namida Naku shite wa Katararenai Jiken` (A Case That Cannot Be Told Without Tears), 1991.1 (Shishio)
  • `Kaijin Senmenki` (Phantom Man Thousand-Face Demon), 1991.1, 1991.9 (Shishio)
  • `Fuyu no Koi` (Winter Love), 1991.4 (Shishio)
• Randolphi Monogatari Series (Randolphi Story Series)**
  • `Sei Kongōseki no Himitsu` (Secret of the Holy Diamond), 1985.2 (Sonorama Bunko)
  • `Sekigan no Majutsushi` (One-Eyed Magician), 1985.4 (Sonorama Bunko)
  • `Meikai no Shinju Shima` (Divine Beast Island of the Underworld Sea), 1985.9 (Sonorama Bunko)
  • `Dai Meikyū no Jaō` (Evil King of the Great Labyrinth), 1986.3 (Sonorama Bunko)
  • `Ikyō no Seisenshi` (Holy Warrior of a Different Land), 1986.7 (Sonorama Bunko)
  • `Fukushū no Sōseiji` (Twins of Revenge), 1987.9 (Sonorama Bunko)
  • `Maku no Hishidan` (Flying Corps of the Demonic Cave), 1988.7 (Sonorama Bunko)
• Koyasan Densetsu Series (Mount Koya Legend Series)**
  • `Ogon no Kūketsu Koyasan Hihō Densetsu` (Golden Void: Mount Koya Treasure Legend), 1985.8 (Shapio)
  • `Koyasan Ogon Densetsu` (Mount Koya Golden Legend), 1988.5 (Futaba Bunko)
• Sōutsu Tantei Kombi no Jikenbo Series (The Cases of the Manic-Depressive Detective Duo Series)**
  • `H Satsujin Jiken` (The H Murder Case), 1985.9 (Kobunsha Bunko)
  • `CM Satsujin Jiken` (The CM Murder Case), 1986.9 (Kobunsha Bunko)
  • `DC Satsujin Jiken Sen` (The DC Murder Case Battle), 1987.7 (Kobunsha Bunko)
  • `M Satsujin Jiken` (The M Murder Case), 1987.12 (Kobunsha Bunko)
  • `Y Satsujin Jiken` (The Y Murder Case), 1989.1 (Kobunsha Bunko)
  • `W Satsujin Jiken` (The W Murder Case), 1990.9 (Kobunsha Bunko)
• Reikai Mahenroku Series (Spirit World Demonic Change Records Series)**
  • `Reihō Ōgondō` (Golden Path of the Sacred Peak), 1987.10 (Sonorama Bunko)
  • `Haguro Meifudō` (Haguro Underworld Path), 1988.5 (Sonorama Bunko)
  • `Osorezan Mumyōdō` (Mount Osore Path of Ignorance), 1989.8 (Sonorama Bunko)
  • `Shitō Rin'nedō` (Death Struggle Samsara Path), 1990.3 (Sonorama Bunko)
• Yattokame Tanteidan Series (Yattokame Detective Team Series)**
  • `Yattokame Tanteidan` (Yattokame Detective Team), 1988.5 (Kobunsha Bunko)
  • `Yattokame Tanteidan Ayau shi` (Yattokame Detective Team in Danger), 1989.12 (Kobunsha Bunko)
  • `Yattokame Tanteidan to Satsujinma` (Yattokame Detective Team and the Murderer), 1996.3 (Kobunsha Bunko)
  • `Yattokame Tanteidan to Gomibukuro no Shitai` (Yattokame Detective Team and the Corpse in the Garbage Bag), 2000.10 (Shodensha Bunko)
  • `Yattokame Tanteidan to Oni no Sumika` (Yattokame Detective Team and the Demon's Lair), 2002.8 (Jitsugyo no Nihon Sha, later Kobunsha Bunko)

4.2. Short Story Collections

• `Showa Gozen Jiai` (Showa Imperial Tournament), 1981 (CBS/Sony Publishing, later Kobunsha Bunko)
• `Growing Down`, 1986 (Kofusha Shuppan)
• `Soba to Kishimen`, 1986 (Kodansha, later Bunko)
• `Japanese Entrance Exams for Earnest Young Men` (original title: `Kokugo Nyushi Mondai Hisshoho`), 1987 (Kodansha, later Bunko). This collection won the Yoshikawa Eiji Prize for New Writers.
• `Eien no Jack & Betty` (Jack and Betty Forever), 1988 (Kodansha, later Bunko). Translated into English as `Jack and Betty Forever`.
• `Shin'ya no Benmei` (Midnight Alibi), 1988 (Jitsugyo no Nihon Sha, later Kodansha Bunko, Tokuma Bunko)
• `Achilles to Kame` (Achilles and the Tortoise), 1989 (Kosaido Shuppan, later Kadokawa Bunko, Kosaido Bunko)
• `Seishun Shosetsu` (Youth Novels), 1989 (Kodansha, later Bunko, Chuko Bunko)
• `Yesterday`, 1989 (Tokuma Shoten, later Bunko, Kodansha Bunko)
• `Bibimbap`, 1990 (Kodansha, later Bunko)
• `Dobutsu Wonderland - Hito Tokushu` (Animal Wonderland - Human Special), 1990 (Jitsugyo no Nihon Sha, later Bungeishunju Bunko)
• `Hitōchū no Hitō "Kotoba" no Zen'ei Kigeki Zen 11-hen!` (Secret Hot Spring of Secret Hot Springs: Avant-garde Comedy of "Words" All 11 Stories!), 1990 (Tairiku Shobo, later Shincho Bunko)
• `Kaba no Yume` (Hippopotamus's Dream), 1990 (Shodensha, later Shincho Bunko)
• `Muimidasu` (Meaningless), 1991 (Mainichi Shimbunsha, later Bungeishunju Bunko)
• `Okane Monogatari` (Money Story), 1991 (Asahi Shimbunsha, later Kodansha Bunko)
• `Tan'i Monogatari` (Unit Story), 1991 (Asahi Shimbunsha, later Kodansha Bunko)
• `Tasogare no Carnival` (Twilight Carnival), 1991 (Tokuma Shoten, later Bunko, Kodansha Bunko)
• `Omona Tojo Jinbutsu` (Main Characters), 1991 (Jitsugyo no Nihon Sha, later Kadokawa Bunko)
• `Janken Nyumon` (Introduction to Rock-Paper-Scissors), 1991 (Tenzan Shuppan, later Kadokawa Bunko)
• `Shimizu Yoshinori Honnin no Aikōbon Jisen Kessakushu` (Yoshinori Shimizu's Own Favorite Books: Self-Selected Masterpiece Collection), 1991 (Kodansha)
• `Jinsei Urouro` (Wandering Life), 1992 (Chuo Koronsha, later Bunko, Kodansha Bunko)
• `Sekai Bungaku Zenshu` (Complete Works of World Literature), 1992 (Shueisha, "Fukyuban Sekai Bungaku Zenshu" Bunko)
• `Dam to Kanna to Shinshiro Shiten` (Dam, Plane, and Shinshiro Branch), 1992 (Bungeishunju, "Sake to Bara no Hibi" Bunko)
• `Sekai Ishō Seisui Shi` (History of World Costume Rise and Fall), 1992 (Kadokawa Shoten, later Bunko)
• `Nihon Bungaku Zenshu` (Complete Works of Japanese Literature), 1992 (Jitsugyo no Nihon Sha, "Fukyuban Nihon Bungaku Zenshu" Shueisha Bunko)
• `Hatsugensha-tachi` (The Speakers), 1993 (Bungeishunju, later Bunko)
• `Watashi wa Sakuchū no Jinbutsu de Aru` (I Am a Character in the Work), 1993 (Kodansha, later Bunko, Chuko Bunko)
• `Synapse no Irie` (Inlet of Synapses), 1993 (Fukutake Shoten, later Bunko)
• `Barabara no Namae` (Scattered Names), 1993 (Kosaido Shuppan, later Bunko, Shincho Bunko)
• `Hi no Ataranai Sakamichi` (Sunless Hill), 1993 (Shinchosha, later Bunko)
• `Haruka Maboroshi no Monderuka` (Distant Phantom Monderuka), 1993 (Shueisha, "Dai Tankenki Haruka Maboroshi no Monderuka" Bunko)
• `Tasogare no Akumu Jisen Kyofu Shosetsu Shu` (Twilight Nightmare: Self-Selected Horror Short Story Collection), 1993 (Kadokawa Horror Bunko)
• `Niseii Kyoshitsu` (Fake Classroom), 1994 (Kodansha, later Bunko)
• `Bus ga Konai` (The Bus Isn't Coming), 1994 (Tokuma Shoten, later Bunko)
• `Senjika Dobutsu Katsuyōhō` (Wartime Animal Utilization Methods), 1994 (Jitsugyo no Nihon Sha, later Shincho Bunko)
• `Baru no Yō na Mono` (Something Like a Crowbar), 1995 (Bungeishunju, later Bunko)
• `Karada ni Warui Koto Shitemasu ka` (Are You Doing Things Bad for Your Body?), 1995 (Shodensha, "Pinpon Settai Jutsu" Bunko)
• `Nihon Jijibaba Retsuden` (Biographies of Japanese Old Men and Women), 1995 (Chuo Koronsha, later Bunko, Kodansha Bunko)
• `Damashie Nihonkoku Kenpo` (Trick Art: Constitution of Japan), 1996 (Shueisha, later Bunko)
• `Target`, 1996 (Jitsugyo no Nihon Sha, later Shincho Bunko)
• `Chairoi Heya no Nazo` (Mystery of the Brown Room), 1997 (Kobunsha Bunko)
• `12-sara no Tokubetsu Ryori` (12 Special Dishes), 1997 (Kadokawa Shoten, later Bunko)
• `The Taiketsu` (The Confrontation), 1998 (Kodansha, later Bunko)
• `Honban Ikimasu~` (Going Live~), 1998 (Jitsugyo no Nihon Sha, "Machigai Darake no Beer Erabi" Kodansha Bunko)
• `Oyakame Koketara` (If the Parent Turtle Falls), 1998 (Tokuma Shoten, later Bunko)
• `Sono Go no Cinderella` (Cinderella After That), 1998 (Shodensha, later Bunko)
• `Eien no Taj` (Eternal Taj), 1999 (Kadokawa Bunko)
• `Dai Kengo` (Great Swordsman), 2000 (Kodansha Bunko)
• `Nihongo no Midare` (Disorder of Japanese Language), 2000 (Shueisha, later Bunko)
• `Gomi no Teiri` (Theorem of Garbage), 2001 (Jitsugyo no Nihon Sha, later Kodansha Bunko)
• `Yo ni mo Chinmyo na Monogatari Shu` (Collection of Strangely Bizarre Stories), 2001 (Kodansha, later Bunko)
• `Hakase no Ijo na Hatsumei` (The Doctor's Abnormal Invention), 2002 (Shueisha, later Bunko)
• `The Shobu` (The Match), 2002 (Kodansha, later Bunko)
• `Warau Reichorui` (Laughing Primates), 2003 (Bungeishunju)
• `Money`, 2004 (Tokuma Shoten, later Bunko)
• `Kubiwamonogatari` (Collar Story), 2005 (Shueisha, later Bunko)
• `Yomichigae Genji Monogatari` (Misread Tale of Genji), 2007 (Bungeishunju)
• `Shin Arabian Night` (New Arabian Night), 2007 (Shueisha Bunko)
• `Shimizu Yoshinori Pastiche 100`, all 6 volumes, 2008-2009 (Chikuma Bunko)
• `Aizu Shunju` (Aizu Spring and Autumn), 2012 (Shueisha Bunko)

4.3. Novels

• `Midori no Shinryakusha` (The Green Invader), 1978 (Sonorama Bunko)
• `Pastel Gakuen Dairan Sen` (Pastel Academy Great Battle), 1987 (Kofusha Shuppan, later Kadokawa Bunko)
• `Chō Kaitō Nyumon` (Super Thief Introduction), 1987 (Futaba Novels, later Bunko, Kadokawa Bunko)
• `Kinko no Yume` (Dream of the Golden Orca), 1989 (Shueisha, later Bunko)
• `Gakumon no Susume Funtōhen Zasetsuhen Jiritsuhen` (An Encouragement of Learning: Struggle, Frustration, Independence), 1989-1990 (Kobunsha Kappa Novels, later Bunko)
• `Chō Yūkai Nyumon` (Super Kidnapping Introduction), 1989 (Futaba Novels, later Bunko, Kadokawa Bunko)
• `Kotoba no Kuni` (Country of Words), 1990 (Shueisha, later Bunko)
• `Kyokō Shiritsu Fujōri Chūgakkō` (Fictional Absurdist Private Junior High School), 1990-1991 (Tokuma Shoten, later Bunko, Kodansha Bunko)
• `Gōsei Monogatari` (Gōsei Story), 1991 (Kadokawa Bunko)
• `Kashiwagi Seiji no Seikatsu` (The Life of Seiji Kashiwagi), 1991 (Iwanami Shoten, later Shincho Bunko)
• `Now no Mizubitashi` (Now Flooded), 1991 (Bungeishunju, later Bunko)
• `Sushi to Ninja` (Sushi and Ninja), 1992 (Kodansha, later Bunko)
• `Kamigami no Gosui` (Gods' Siesta), 1992 (Kodansha, later Bunko)
• `Aoyama Monogatari 1971` (Aoyama Story 1971), 1992 (Kobunsha, later Bunko)
• `Nippon Kenbunroku` (Japan Travelogue), 1993 (Kadokawa Shoten)
• `Aoyama Monogatari 1974 Sneaker to Bunkobon` (Aoyama Story 1974: Sneakers and Paperbacks), 1994 (Kobunsha, later Bunko)
• `Sode Suriau mo Tashō no En` (Even a Chance Encounter is Predestined), 1994 (Kadokawa Shoten, later Bunko)
• `Saimin Jutsu-shi` (Hypnotist), 1994 (Fukutake Shoten, later Bunko)
• `Harukōrō no` (Of the Spring High Tower), 1995 (Kodansha, later Bunko)
• `Kazoku no Jidai` (Era of Family), 1995 (Yomiuri Shimbunsha, later Kadokawa Bunko)
• `Namae ga Ippai` (Full of Names), 1996 (Shinchosha, later Bunko)
• `Shinchiku Monogatari Mata wa, Doroe Tatsuhiko wa Ikani shite Shakuchi ni Ie wo Tatenaoshita ka` (New Construction Story, or How Tatsuhiko Doroe Rebuilt His House on Leased Land), 1996 (Kadokawa Shoten, later Bunko)
• `Machimachi na Machimachi Nippon Kenbunroku` (Various Towns: Japan Travelogue), 1996 (Kadokawa Bunko)
• `Gishi Nihonden` (Pseudo-History of Japan), 1997 (Shueisha, later Bunko)
• `Shinigami` (God of Death), 1998 (Benesse Corporation, later Kadokawa Bunko)
• `Uenosuke no Chushingura` (Uenosuke's Chushingura), 1999 (Bungeishunju, later Bunko)
• `Meikyū` (Labyrinth), 1999 (Shueisha, later Bunko). Translated into English as `Labyrinth`.
• `Minna Kazoku` (Everyone is Family), 2000 (Bungeishunju, later Bunko)
• `Nijū Rasen no Millennium` (Double Helix Millennium), 2000 (Magazine House, "Idenshi Inferno" Gentosha Bunko)
• `Owari Shunpūden` (Tale of Owari's Spring Wind), 2000 (Gentosha Bunko) (depicting Tokugawa Muneharu)
• `Yatsu no Kao wo Motsu Otoko` (The Man with Eight Faces), 2000 (Asahi Shimbunsha, Kobunsha Bunko)
• `Ginga ga Kono Yō ni Aru Tame ni` (For the Galaxy to Exist This Way), 2000 (Hayakawa Shobo)
• `Star`, 2001 (Gentosha, later Bunko)
• `Gennai Mangekyo` (Gennai Kaleidoscope), 2001 (Kodansha Bunko)
• `Kaeru Otoko` (Frog Man), 2002 (Gentosha Bunko)
• `Kōfuku no Kubiki` (Yoke of Happiness), 2003 (Gentosha, later Bunko)
• `Aoyama Monogatari 1979 Kyōshū Kanketsuhen` (Aoyama Story 1979: Nostalgia Concluding Chapter), 2004 (Kobunsha Bunko)
• `Birdcage`, 2004 (NHK Publishing)
• `Imagine`, 2004 (Shueisha, later Bunko)
• `Soseki Sensei Oi ni Nayamu` (Teacher Soseki Greatly Worries), 2004 (Shogakukan)
• `Yukichi Fukuzawa wa Nazo darake. Shinkun Shosetsu` (Yukichi Fukuzawa is Full of Mysteries: Moral Instruction Novel), 2006 (Shogakukan)
• `Tōjitsusai` (Winter Solstice Festival), 2006 (Chikuma Shobo)
• `Gishi Sekaiden` (Pseudo-History of the World), 2007 (Shueisha, "Shimizu-shiki Me kara Uroko no Sekaishi Monogatari" Bunko)
• `Don Quijote no Matsuei` (Descendants of Don Quixote), 2007 (Chikuma Shobo, later Iwanami Gendai Bunko 2013)
• `Bakumatsu Urakaishi` (Bakumatsu Reversed History), 2008 (Shueisha, "If no Bakumatsu" Bunko)
• `Ii Yatsu Jan` (He's a Good Guy), 2008 (Kodansha, later Bunko)
• `Ai to Nihongo no Wakuran` (Love and Japanese Language Delirium), 2008 (Bestsellers, later Kodansha Bunko 2014)
• `Kawa no Aru Machi Isewan Taifū Monogatari` (Town with a River: Ise Bay Typhoon Story), 2009 (Chunichi Shimbunsha)
• `Ryoma no Fune` (Ryoma's Ship), 2009 (Shueisha Bunko)
• `Nobunaga no Onna` (Nobunaga's Woman), 2011 (Shueisha Bunko)
• `Mōrō Senki` (Hazy War Chronicle), 2015 (Shinchosha)

4.4. Essays and Non-fiction

• `Pastiche to Tōmei Ningen` (Pastiche and the Invisible Man), 1992 (Jitsugyo no Nihon Sha, later Shincho Bunko)
• `Eiga de Boku ga Benkyō shita Koto Hontō ni Suteki da` (What I Learned from Movies: Truly Wonderful), 1993 (Mainichi Shimbunsha, later Gentosha Bunko)
• `Shimizu Yoshinori no Sakubun Kyoshitsu` (Yoshinori Shimizu's Composition Class), 1995 (Hayakawa Shobo, later Bunko)
• `Nihongo ga Motto Omoroku Naru Puzzle no Hon Nanmon, Kimon, Gumon wo Toku` (A Puzzle Book That Makes Japanese Even More Interesting: Solving Difficult, Strange, and Foolish Questions), 1997 (Kobunsha Bunko)
• `Aonisai no Koro Kaisō no '70-nendai` (Youthful Days: Recollections of the 70s), 1999 (Kodansha, later Bunko)
• `Imadoki no Kyōiku wo Kangaeru Hint` (Hints for Thinking About Modern Education), 1999 (Kodansha, later Bunko)
• `Mō Natsukashii Heisei no Nenpyō` (Already Nostalgic Heisei Chronology), 2000 (Kodansha)
• `Nihongo Hisshō Kōza` (Japanese Language Guaranteed Success Course), 2000 (Kodansha, later Bunko)
• `Me kara Uroko no Kyōiku wo Kangaeru Hint` (Eye-Opening Hints for Thinking About Education), 2001 (Kodansha, later Bunko)
• `Sakubun Daikirai` (I Hate Composition), 2001 (Gakken M Bunko)
• `Science Gengo Gaku` (Science Linguistics), 2001 (Asahi Shimbunsha, later Bunko)
• `Shimizu Yoshinori ga Dekiru Made` (How Yoshinori Shimizu Was Made), 2001 (Yamato Shobo, later Kodansha Bunko)
• `Dōzō Meguri Tabi Unchiku Kikō` (Statue Tour Journey: Erudite Travelogue), 2002 (Shodensha, later Bunko)
• `Gyōgi Yoku Shiro.` (Behave Yourself.), 2003 (Chikuma Shinsho)
• `Yattokame! Dai Nagoya-go Jiten` (Yattokame! Great Nagoya Dialect Dictionary), 2003 (Gakken)
• `Shimizu Yoshinori no Home Kotoba Dai Jiten` (Yoshinori Shimizu's Great Dictionary of Praise), 2004 (Hakusensha)
• `Otona no Tame no Bunsho Kyoshitsu` (Writing Class for Adults), 2004 (Kodansha Gendai Shinsho)
• `Waga Ko ni Oshieru Sakubun Kyoshitsu` (Composition Class for Teaching Your Child), 2005 (Kodansha Gendai Shinsho)
• `"Otona" ga Inai...` (No "Adults"...), 2006 (Chikuma Shinsho)
• `Surasura Kakeru! Business Bunsho` (Write Smoothly! Business Documents), 2006 (Kodansha Gendai Shinsho)
• `Aa Shirananda Konna Sekaishi` (Oh, I Didn't Know Such World History), 2006 (Mainichi Shimbunsha, later Asahi Bunko)
• `Shosetsuka ni Naru Hōhō Honki de Kangaeru Hito no Tame no Sōsaku Katsudō no Susume` (How to Become a Novelist: Recommendations for Creative Activities for Those Who Are Serious), 2007 (Business Sha)
• `Hayawakari Sekai no Bungaku - Pastiche Dokushō Jutsu` (Quick Guide to World Literature - Pastiche Reading Method), 2008 (Chikuma Shinsho)
• `Shiawase ni Naru Chikara` (The Power to Be Happy), 2008 (Chikuma Primer Shinsho)
• `Sekai Bungaku Hisshōhō` (How to Ace World Literature), 2008 (Chikuma Shobo)
• `Mi mo Futa mo Nai Nihon Bungakushi` (Blunt Japanese Literary History), 2009 (PHP Shinsho, "Gakko de wa Oshiete Kurenai Nihon Bungakushi" Bunko)
• `Fufu de Iku Islam no Kuniguni` (Countries of Islam Visited by a Couple), 2009 (Shueisha Bunko)
• `Bōgen de Yomu Nihonshi` (Japanese History Read Through Outrageous Remarks), 2011 (Media Factory Shinsho)
• `Fufu de Iku Italia Rekishi no Machimachi` (Historical Cities of Italy Visited by a Couple), 2011 (Shueisha Bunko)
• `Fufu de Iku Balkan no Kuniguni` (Countries of the Balkans Visited by a Couple), 2013 (Shueisha Bunko)
• `50-dai kara Jōzu ni Ikiru Hito Muda ni Ikiru Hito` (People Who Live Well from Their 50s, People Who Live Uselessly), 2013 (Mikasa Shobo, Chiteki Ikikata Bunko)
• `50-dai kara Yoyū ga Umareru Hito Nakunaru Hito` (People Who Gain Leeway from Their 50s, People Who Lose It), 2013 (Mikasa Shobo, Chiteki Ikikata Bunko)
• `Kangaesugita Hito Owarai Tetsugakusha Retsuden` (The Overthinkers: Biographies of Comedic Philosophers), 2013 (Shinchosha, Bunko 2015)
• `Kokoro wo Ayatsuru Bunsho Jutsu` (Art of Writing That Manipulates the Mind), 2014 (Shincho Shinsho)
• `Chotto Doku no Aru Hō ga, Jinsei Umaku Iku!` (Life Goes Better with a Little Bit of Poison!), 2015 (Mikasa Shobo, Chiteki Ikikata Bunko)
• `Fufu de Iku Tabi no Shokuniki Sekai Achikochi Ajimeguri` (Couple's Travel Food Diary: Tasting Around the World), 2015 (Shueisha Bunko)
• `Fufu de Iku Igai to Oishii Igirisu` (Surprisingly Delicious England Visited by a Couple), 2016 (Shueisha Bunko)
• `Ukeru! Otona no Kaiwajutsu` (Popular! Adult Conversation Skills), 2017 (Asahi Shinsho)
• `Nihon no Ikai Nagoya` (Japan's Otherworld: Nagoya), 2017 (Best Shinsho)

4.5. Collaborations

Shimizu Yoshinori has collaborated with other artists, notably with the illustrator and manga artist Rieko Saibara, on a series of educational and humorous books.

• With Rieko Saibara (Illustrations)**
  • `Omoshiroku te mo Rika` (Science Even If It's Interesting), 1994 (Kodansha, later Bunko)
  • `Motto Omoshiroku te mo Rika` (Even More Interesting Science), 1996 (Kodansha, later Bunko)
  • `Dōkoronde mo Shakai-ka` (Social Studies No Matter How You Fall), 1998 (Kodansha, later Bunko)
  • `Motto Dōkoronde mo Shakai-ka` (Even More Social Studies No Matter How You Fall), 1999 (Kodansha, later Bunko)
  • `Iya de mo Tanoshimeru Sansū` (Math You Can Enjoy Even If You Don't Want To), 2001 (Kodansha, later Bunko)
  • `Hajimete Wakaru Kokugo` (Japanese Language You Understand for the First Time), 2002 (Kodansha, later Bunko)
  • `Tobisugiru Kyoshitsu Sensei no Zatsudan Fū ni` (Over-Flying Classroom: In the Style of Teacher's Chat), 2003 (Kodansha, later Bunko)
  • `Dokudanryu "Dokushō" Hisshōhō` (My Own Style "Reading" Guaranteed Success Method), 2007 (Kodansha, later Bunko)
  • `Zatsugaku no Susume` (Recommendation for Trivia), 2007 (Kodansha, later Bunko)
  • `Shimizu Yoshinori no Ikki ni Yomeru! Gakko Yori Omoshiroi Shakai` (Yoshinori Shimizu's Read in One Go! Social Studies More Interesting Than School), 2010 (Kodansha)
  • `Shimizu Yoshinori no Ikki ni Yomeru! Nihonshi Jinbutsuden Kodaihen` (Yoshinori Shimizu's Read in One Go! Japanese History Biographies: Ancient Period), 2012 (Kodansha)
  • `Shimizu Yoshinori no Ikki ni Yomeru! Nihonshi Jinbutsuden. Heian Jidai & Bushi no Tanjohen` (Yoshinori Shimizu's Read in One Go! Japanese History Biographies: Heian Period & Birth of Warriors), 2013 (Kodansha)
  • `Shimizu Yoshinori no Ikki ni Yomeru! Nihonshi Jinbutsuden. Sengoku Jidai ~ Bakumatsu Gekidōhen` (Yoshinori Shimizu's Read in One Go! Japanese History Biographies: Sengoku Period ~ Turbulent Bakumatsu Period), 2014 (Kodansha)
• Co-authored/Edited Works**
  • `Shōsetsu Dai Nagoya-go Jiten` (Humorous Dictionary of Great Nagoya Dialect), 1994 (Gakken) (co-edited)
  • `Dennō Kyōdai no Pasokon Hōrōki` (Computer Brothers' PC Wandering Journal), with Shimizu Yukinori, 1994.5 (Asahi Shimbunsha, "Pasokon Master e no Michi" Kobunsha Bunko)
  • `Nihon no Meizuihitsu Bekkan 66 Hōgen` (Japan's Famous Essays, Special Volume 66: Dialects), 1996 (Sakuhinsha)
  • `Ichinichi no Owari ni 50 no Meisaku Ippen` (50 Masterpieces at the End of the Day), 2008 (Seibi Bunko)

5.1. Pastiche and Parody

At the core of Shimizu's literary style lies his sophisticated use of pastiche and parody. He is renowned for his ability to meticulously emulate the writing styles of other famous authors, applying them to unexpected or humorous narratives. This technique not only showcases his versatility as a writer but also serves as a form of literary commentary, often highlighting the characteristics of the original authors' styles or satirizing popular cultural phenomena. For instance, his retelling of `Saru Kani Gassen` in the style of Ryotaro Shiba or Saiichi Maruya demonstrates his mastery of this approach. Literary critic Saiichi Maruya praised Shimizu as a "noteworthy parodist" and lauded his remarkable talent for seamlessly integrating parody with novel writing, noting how the two elements mutually enhance each other. However, Maruya humorously admitted that he found it difficult to objectively evaluate Shimizu's parody of his own work, `Chushingura to wa Nani ka`, which Shimizu parodied as `Saru Kani Gassen to wa Nani ka`.

5.2. Humor and Satire

Humor and satire are pervasive elements throughout Shimizu's works, serving as a primary means of engaging readers and conveying deeper meanings. His narratives are often infused with wit, irony, and a playful subversion of expectations. This comedic approach allows him to tackle diverse subjects, from everyday life to complex social issues, in an accessible and entertaining manner. Whether through the absurd situations in his mystery novels or the stylistic mimicry in his pastiche short stories, Shimizu consistently employs humor to create distinctive and memorable literary experiences.

5.3. Science Fiction and Speculative Elements

Shimizu's literary journey began with a strong foundation in science fiction, a genre he continued to explore throughout his career. His early works, particularly those published under the Sonorama Bunko imprint, established him as a notable voice in Japanese young adult science fiction. Even as his focus diversified, speculative elements often permeated his narratives, allowing him to construct parallel worlds, explore alternative histories, and delve into imaginative concepts. His novel `Kinko no Yume`, which envisions a Japan where the Toyotomi clan survived and established a Nagoya-based shogunate, exemplifies his continued engagement with speculative fiction as a means to explore cultural and historical themes.

5.4. Language and Regionalism

A profound interest in the Japanese language is another defining characteristic of Shimizu Yoshinori's work. He frequently explores linguistic nuances, the evolution of language, and the distinctiveness of regional dialects. His "Nagoya Mono" series, which prominently features the Nagoya dialect, is a testament to his dedication to regionalism and his efforts to bring local culture into the mainstream of Japanese literature. His expertise in language is further underscored by his role as a terminology committee member for NHK (Japan Broadcasting Corporation), where he contributed to discussions on linguistic standards and usage. Through his writings and his involvement with language-related committees, Shimizu has significantly contributed to broader discussions about the role of language in literature and society.

6.1. Critical Reception

Shimizu's unique approach to literature, especially his mastery of pastiche, has been widely praised by literary critics and fellow authors. As noted by Saiichi Maruya, his ability to combine parody with traditional novelistic construction is considered a rare and commendable talent. Critics often highlight his sharp wit, keen observational skills, and his capacity to create engaging narratives across diverse genres. His "Nagoya Mono" series has also been commended for its successful portrayal and promotion of regional culture, earning him an Honorary Citizen title in Nagoya and the Chunichi Culture Prize. While he was nominated for the prestigious Naoki Prize multiple times, his failure to win it has been a point of discussion, but it has not diminished his standing as a highly respected and influential author. His continued role as a selection committee member for "Shosetsu no Tora no Ana" (Novel Tiger's Den) in `Gekkan Kobo Guide` further attests to his respected position within the literary community.

6.2. Media Adaptations

Several of Yoshinori Shimizu's novels and short stories have been adapted into other media, primarily television dramas, further extending his reach into popular culture.

• Two stories from his "Sōutsu Tantei Kombi no Jikenbo Series," namely `H Satsujin Jiken` and `Y Satsujin Jiken`, were adapted into two-hour dramas by TBS.
• His short stories `Bus ga Konai` (The Bus Isn't Coming) and others were adapted into episodes of the drama series `Koko dake no Hanashi` (Just Between Us).
• Other short stories, such as `Sherlock Holmes no Kuchiyose` (Summoning Sherlock Holmes) and `Morepasu Kacho` (Mr. Morepass Section Chief), were featured in the popular anthology series `Yo ni mo Kimyo na Monogatari` (Tales of the Bizarre).
• The novel `Gakumon no Susume` (An Encouragement of Learning), inspired by Yukichi Fukuzawa's work, was also adapted into a television drama.
• Beyond television, some of Shimizu's works, including `Baru no Yō na Mono` (Something Like a Crowbar), have been performed as Rakugo (traditional Japanese comedic storytelling) by the renowned performer Shinosuke Tatekawa, demonstrating the adaptability and enduring appeal of his narratives.

6.3. Influence on Japanese Literature and Language

Yoshinori Shimizu's innovative approach to pastiche and his deep engagement with the Japanese language have left a lasting mark on Japanese literature. He demonstrated how stylistic imitation could be a powerful tool for literary creation, pushing the boundaries of traditional narrative forms. His consistent focus on regional themes, particularly those related to Nagoya and its dialect, has contributed to a broader appreciation for local cultures within national literature. His works have not only entertained but also subtly educated readers about linguistic nuances and the richness of regional identities. As a prolific author who has successfully navigated various genres and maintained a distinctive voice, Shimizu continues to influence aspiring writers and contribute to the ongoing evolution of Japanese literary techniques and thematic explorations.