1. Overview

Sydney Irwin Pollack (July 1, 1934 - May 26, 2008) was a prominent American film director, producer, and actor, known for his commercially and critically acclaimed studio films. Over a career spanning more than forty years, Pollack directed 21 films, produced 44, and acted in over 30 films and 10 television programs. He garnered numerous accolades, including two Academy Awards for his work on Out of Africa (1985), and a Primetime Emmy Award. He also received nominations for three Golden Globe Awards and six BAFTA Awards. His notable directorial works include They Shoot Horses, Don't They? (1969), Jeremiah Johnson (1972), The Way We Were (1973), Three Days of the Condor (1975), Tootsie (1982), Absence of Malice (1981), The Firm (1993), Sabrina (1995), and The Interpreter (2005). As a producer, he was behind films like The Fabulous Baker Boys (1989), The Talented Mr. Ripley (1999), Iris (2001), Cold Mountain (2003), and Michael Clayton (2007), in which he also acted. Pollack's acting credits include roles in The Player (1992), Husbands and Wives (1992), and Eyes Wide Shut (1999).
2. Early Life
Sydney Pollack's early life was marked by a challenging family environment and a strong inclination towards the performing arts, which eventually led him to New York City and a career in acting and directing.
2.1. Childhood and Family Background
Sydney Irwin Pollack was born on July 1, 1934, in Lafayette, Indiana. He came from a family of Jewish immigrants, with his family originating from Ukraine. His father, David Pollack, was a semi-professional boxer and pharmacist, and his mother was Rebecca (née Miller). The family later relocated to South Bend, Indiana. His parents divorced when he was young, and his mother, who struggled with alcoholism and emotional problems, tragically died at the age of 37 when Pollack was 16 years old.
2.2. Education and Early Acting Training
Despite initial plans to attend college and then medical school, Pollack chose a different path after completing high school. At the age of 17, he left Indiana and moved to New York City. There, from 1952 to 1954, he pursued his passion for acting, studying under the renowned acting coach Sanford Meisner at the Neighborhood Playhouse School of the Theatre. During this period, he supported himself by working on a lumber truck between academic terms. In February 1955, Pollack made his Broadway debut in Christopher Fry's play The Dark Is Light Enough. Following this, he transitioned to television, appearing in various episodic series.
2.3. Military Service and Transition to Directing
Pollack's early career was interrupted by two years of military service, during which he served as a truck driver at Fort Carson, Colorado. His service concluded in 1958. Upon his return, he was invited by Sanford Meisner to become his assistant at the Neighborhood Playhouse. In 1960, Pollack's friend, director John Frankenheimer, asked him to come to Los Angeles to work as a dialogue coach for the child actors in Frankenheimer's film The Young Savages. It was during this time that Pollack met actor Burt Lancaster, who recognized Pollack's potential and encouraged the young actor to try directing. By 1961, Pollack began directing episodes for television series, marking his entry into the directorial field.
3. Career
Sydney Pollack's career was characterized by his versatility and success across various roles in the film industry, establishing him as a respected figure in Hollywood.
3.1. Directing Career
Pollack began his directing career in television in the 1960s, helming episodes for popular series such as The Fugitive and The Alfred Hitchcock Hour. His feature film directorial debut came in 1965 with The Slender Thread. Over his career, Pollack directed 21 feature films, many of which achieved both commercial and critical success. He frequently collaborated with actor Robert Redford, who starred as the male lead in seven of Pollack's films.
Pollack's films collectively received a remarkable 48 Academy Award nominations, securing 11 wins. His first Academy Award nomination for Best Director was for the 1969 film They Shoot Horses, Don't They?, a poignant drama about a dance marathon during the Great Depression. He received a second Best Director nomination in 1982 for the acclaimed comedy Tootsie, which also earned him a Best Picture nomination. His most significant triumph came with the 1985 epic romantic drama Out of Africa, starring Meryl Streep and Robert Redford, for which Pollack won both the Academy Award for Best Director and Best Picture.
Pollack was known for his ability to elicit strong performances from his actors. He directed 12 actors in Oscar-nominated performances, with Gig Young winning for They Shoot Horses, Don't They? and Jessica Lange winning for Tootsie. Other actors who received nominations under his direction include Jane Fonda, Susannah York, Barbra Streisand, Paul Newman, Melinda Dillon, Dustin Hoffman, Teri Garr, Meryl Streep, Klaus Maria Brandauer, and Holly Hunter. His directorial style often explored complex characters and human relationships within diverse genres, from westerns and thrillers to romantic dramas and comedies.
3.2. Producing Career
Beyond his directorial achievements, Sydney Pollack made significant contributions as a film producer. In 1984, he co-founded the American Cinematheque in Los Angeles, becoming its co-chairman, demonstrating his commitment to film preservation and education. He also established his own production company, Mirage Enterprises, with English director Anthony Minghella.
Through Mirage Enterprises and other ventures, Pollack produced numerous successful and critically acclaimed films. These include Songwriter (1984), Bright Lights, Big City (1988), The Fabulous Baker Boys (1989), Presumed Innocent (1990), Searching for Bobby Fischer (1993), Sense and Sensibility (1995), Sliding Doors (1998), The Talented Mr. Ripley (1999), Iris (2001), Birthday Girl (2001), The Quiet American (2002), Cold Mountain (2003), Breaking and Entering (2006), and Michael Clayton (2007). Michael Clayton earned him his sixth Academy Award nomination, in the Best Picture category. The last film he produced with Anthony Minghella, The Reader (2008), earned them both posthumous Oscar nominations for Best Picture.
3.3. Acting Career
Pollack began his career as an actor, appearing in the 1960 The Twilight Zone episode "The Trouble with Templeton" as a director. His feature film acting debut was in Denis Sanders' War Hunt (1962), where he first met Robert Redford.
He resumed acting more frequently in the 1990s, often portraying corrupt or morally conflicted figures in positions of power. His notable acting roles include Dick Mellon in Robert Altman's The Player (1992), Jack in Woody Allen's Husbands and Wives (1992), an uncredited emergency room doctor in Robert Zemeckis's Death Becomes Her (1992), Al Eustis in A Civil Action (1998), and Victor Ziegler in Stanley Kubrick's Eyes Wide Shut (1999). He also appeared in his own directed films, such as George Fields in Tootsie (1982), Carl Broman in Random Hearts (1999), and an uncredited role as Secret Service Director Jay Pettigrew in The Interpreter (2005), which was his final non-documentary film as a director.
On television, Pollack was a recurring guest star on the NBC sitcom Will & Grace, playing Will Truman's unfaithful but loving father, George Truman, for four episodes (2000-2006). He also made guest appearances on Just Shoot Me! (2000), Mad About You (1998), The Sopranos (2007), and Entourage (2007). His final film role was Thomas Bailey Sr., Patrick Dempsey's father, in the 2008 romantic comedy Made of Honor, which was released shortly before his death.
4. Filmography
Sydney Pollack's extensive career encompassed roles as a director, producer, and actor across numerous films and television series.
4.1. Filmography as Director and Producer
Pollack directed 21 films and produced or executive produced 44 films during his career.

Year | Title | Role | Notes |
---|---|---|---|
1965 | The Slender Thread | Director | Paramount Pictures |
1966 | This Property Is Condemned | Director | Paramount Pictures |
1968 | The Scalphunters | Director | United Artists |
1969 | Castle Keep | Director | Columbia Pictures |
1969 | They Shoot Horses, Don't They? | Director | Cinerama Releasing Corporation |
1972 | Jeremiah Johnson | Director | Warner Bros. |
1973 | The Way We Were | Director | Columbia Pictures |
1974 | The Yakuza | Director, Producer | Warner Bros. |
1975 | Three Days of the Condor | Director | Paramount Pictures |
1977 | Bobby Deerfield | Director, Producer | Warner Bros. |
1979 | The Electric Horseman | Director | Universal Pictures |
1981 | Absence of Malice | Director | Columbia Pictures |
1982 | Tootsie | Director, Producer | Columbia Pictures |
1985 | Out of Africa | Director, Producer | Universal Pictures |
1985 | Sanford Meisner: The American Theatre's Best Kept Secret | Executive Producer | Documentary |
1988 | Bright Lights, Big City | Producer | |
1989 | The Fabulous Baker Boys | Executive Producer | |
1990 | Havana | Director | Universal Pictures |
1990 | Presumed Innocent | Producer | |
1991 | King Ralph | Executive Producer | |
1993 | The Firm | Director, Producer | Paramount Pictures |
1993 | Searching for Bobby Fischer | Executive Producer | |
1995 | Sabrina | Director, Producer | Paramount Pictures |
1995 | Sense and Sensibility | Executive Producer | |
1998 | Sliding Doors | Producer | |
1999 | Random Hearts | Director, Producer | Columbia Pictures |
1999 | The Talented Mr. Ripley | Executive Producer | |
2000 | Blow Dry | Producer | |
2001 | Iris | Executive Producer | |
2001 | Birthday Girl | Executive Producer | |
2002 | The Quiet American | Executive Producer | |
2003 | Cold Mountain | Producer | |
2005 | Sketches of Frank Gehry | Director, Executive Producer | Documentary; Sony Pictures Classics |
2005 | The Interpreter | Director | Universal Pictures |
2006 | Breaking and Entering | Producer | |
2006 | Catch a Fire | Producer | |
2007 | Michael Clayton | Producer | |
2008 | Recount | Executive Producer | Television film |
2008 | Leatherheads | Executive Producer | |
2008 | The Reader | Producer | |
2009 | Margaret | Producer | Released posthumously |
TBA | The Amulet of Samarkand | Producer |
4.2. Acting Filmography
Pollack appeared in over 30 films and numerous television series throughout his career.
Year | Title | Role | Notes |
---|---|---|---|
1962 | War Hunt | Sergeant Owen Van Horn | |
1975 | Three Days of the Condor | Taxi Driver | |
1979 | The Electric Horseman | Man Who Makes Pass At Alice | Uncredited |
1982 | Tootsie | George Fields | |
1992 | The Player | Dick Mellon | |
Death Becomes Her | Emergency Room Doctor | Uncredited | |
Husbands and Wives | Jack | ||
1998 | A Civil Action | Al Eustis | |
1999 | Eyes Wide Shut | Victor Ziegler | |
Random Hearts | Carl Broman | ||
2001 | The Majestic | Studio Executive | Voice role |
2002 | Changing Lanes | Stephen Delano | |
2005 | The Interpreter | Secret Service Director Jay Pettigrew | Uncredited |
2006 | Fauteuils d'orchestre | Brian Sobinski | |
2007 | Michael Clayton | Marty Bach | |
2008 | Made of Honor | Thomas Bailey Sr. | Final film role |
Television Acting Roles
Year | Title | Role | Notes |
---|---|---|---|
1956 | The Kaiser Aluminum Hour | Shuber | Episode: "The Army Game" |
1959 | Playhouse 90 | Andres | Episodes: "For Whom the Bell Tolls: Parts 1 & 2" |
The United States Steel Hour | Benson | Episode: "The Case of Julia Walton" | |
Armstrong Circle Theatre | Albert Rousseau | Episode: "35 Rue Du Marche" | |
Startime | Harry | Episode: "Something Special" | |
1959-1964 | Brenner | Detective Al Dunn | 3 episodes |
1960 | Alfred Hitchcock Presents | Bernie Samuelson | Season 6 Episode 4: "The Contest for Aaron Gold" |
Twilight Zone | Arthur Willis | Episode: "The Trouble with Templeton" | |
Tales of Wells Fargo | Stan Ryker | Episode: "Angry Town" | |
1961 | The Untouchables | Charlie | Episode: "The Big Train Part One" |
Have Gun - Will Travel | Joe Culp | Episodes: "Quiet Night in Town: Part 1 & 2" | |
The Deputy | Chuck Johnson | Episode: "Spoken in Silence" | |
The Asphalt Jungle | Louie | Episode: "The Professor" | |
1961-1962 | The New Breed | Austin Rogers / Bert Masters | 2 episodes: "The Compulsion to Confess" and "Walk This Street Lightly" |
1962 | Ben Casey | Unknown | Episode: "Monument to an Aged Hunter" |
1994 | Frasier | Holden Thorpe (voice) | Episode: "The Candidate" |
1998 | Mad About You | Dr. Sydney Warren | Episode: "Cheating on Sheila" |
2000 | Just Shoot Me! | Himself | Episode: "A&E Biography: Nina Van Horn" |
King of the Hill | Grant Trimble | Voice; Season 4: "Episode 23" | |
2000-2006 | Will & Grace | George Truman | 4 episodes: "Oh Dad, Poor Dad, He's Kept Me in the Closet and I'm So Sad", "Cheaters", "Cheatin' Trouble Blues", "Blanket Apology" |
2003 | Charlie: The Life and Art of Charles Chaplin | Narrator | Voice; Documentary |
2005 | One Six Right: The Romance of Flying | Himself | Documentary |
2006 | American Masters | Narrator | Episode: "John Ford/John Wayne" |
2007 | The Sopranos | Warren Feldman | Episode: "Stage 5" |
Entourage | Himself |
5. Awards and Nominations
Sydney Pollack received extensive recognition for his work as a director, producer, and actor, including multiple Academy Awards, Emmy Awards, and nominations from prestigious film organizations.
5.1. Personal Awards and Nominations
Pollack's personal accolades highlight his significant impact on filmmaking.
Year | Award | Category | Project | Result |
---|---|---|---|---|
1970 | Academy Awards | Best Director | They Shoot Horses, Don't They? | Nominated |
1983 | Best Picture | Tootsie | Nominated | |
Best Director | Nominated | |||
1986 | Best Picture | Out of Africa | Won | |
Best Director | Won | |||
2008 | Best Picture | Michael Clayton | Nominated | |
2009 | The Reader | Nominated | ||
1963 | Primetime Emmy Awards | Outstanding Directing - Drama Series | Ben Casey | Nominated |
1964 | Bob Hope Presents the Chrysler Theatre | Nominated | ||
1966 | Won | |||
2008 | Outstanding Television Movie | Recount | Won | |
Outstanding Variety Special | James Taylor: One Man Band | Nominated | ||
1969 | Golden Globe Awards | Best Director | They Shoot Horses Don't They? | Nominated |
1982 | Tootsie | Nominated | ||
1985 | Out of Africa | Nominated | ||
1983 | British Academy Film Awards | Best Film | Tootsie | Nominated |
Best Director | Nominated | |||
1998 | Outstanding British Film | Sliding Doors | Nominated | |
2003 | Best Film | Cold Mountain | Nominated | |
Outstanding British Film | Nominated | |||
2008 | Best Film | The Reader | Nominated | |
2006 | Austin Film Festival | Extraordinary Contribution to Filmmaking | N/A | Won |
1986 | Berlin International Film Festival | Berlinale Camera | N/A | Won |
5.2. Film Awards and Nominations
Films directed or produced by Sydney Pollack received numerous awards and nominations from major bodies.
Year | Title | Academy Awards | BAFTA Awards | Golden Globe Awards | |||
---|---|---|---|---|---|---|---|
Nominations | Wins | Nominations | Wins | Nominations | Wins | ||
1965 | The Slender Thread | 2 | 1 | ||||
1966 | This Property Is Condemned | 1 | |||||
1968 | The Scalphunters | 1 | |||||
1969 | They Shoot Horses, Don't They? | 9 | 1 | 6 | 1 | 6 | 1 |
1973 | The Way We Were | 6 | 2 | 1 | 2 | 1 | |
1975 | Three Days of the Condor | 1 | 1 | ||||
1977 | Bobby Deerfield | 1 | |||||
1979 | The Electric Horseman | 1 | |||||
1981 | Absence of Malice | 3 | 2 | ||||
1982 | Tootsie | 10 | 1 | 9 | 2 | 5 | 3 |
1985 | Out of Africa | 11 | 7 | 7 | 3 | 6 | 3 |
1990 | Havana | 1 | 1 | ||||
1993 | The Firm | 2 | 1 | ||||
1995 | Sabrina | 2 | 3 | ||||
Total | 48 | 11 | 24 | 6 | 30 | 8 |
5.3. Directed Oscar-Winning Performances
Pollack's skill in directing actors is evident in the numerous Academy Award-nominated and winning performances he elicited.
Year | Performer | Film | Result |
---|---|---|---|
Academy Award for Best Actor | |||
1981 | Paul Newman | Absence of Malice | Nominated |
1982 | Dustin Hoffman | Tootsie | Nominated |
Academy Award for Best Supporting Actor | |||
1969 | Gig Young | They Shoot Horses, Don't They? | Won |
1985 | Klaus Maria Brandauer | Out of Africa | Nominated |
Academy Award for Best Actress | |||
1969 | Jane Fonda | They Shoot Horses, Don't They? | Nominated |
1973 | Barbra Streisand | The Way We Were | Nominated |
1985 | Meryl Streep | Out of Africa | Nominated |
Academy Award for Best Supporting Actress | |||
1969 | Susannah York | They Shoot Horses, Don't They? | Nominated |
1981 | Melinda Dillon | Absence of Malice | Nominated |
1982 | Jessica Lange | Tootsie | Won |
Teri Garr | Nominated | ||
1993 | Holly Hunter | The Firm | Nominated |
6. Personal Life and Death
Sydney Pollack's personal life included a long marriage and family, though it was marked by a significant tragedy. His life concluded after a battle with cancer.
6.1. Marriage and Family
Sydney Pollack was married to Claire Bradley Griswold, a former student of his, from 1958 until his death in 2008. They had three children: Steven (born 1959), Rebecca (born 1963), and Rachel (born 1969). In November 1993, a tragic event occurred when their son, Steven, died at the age of 34. He was involved in a small, single-engine plane crash in Santa Monica, California, which clipped a power line and burst into flames, killing him and another person. Claire Griswold passed away on March 28, 2011, at the age of 74, due to Parkinson's disease.
6.2. Health and Death
Concerns about Pollack's health began to surface in 2007 when he withdrew from directing the HBO television film Recount, which aired on May 25, 2008. He had been diagnosed with cancer approximately ten months prior to his death. The specific type of cancer has been variously reported as pancreatic, stomach, or of unknown primary origin. Sydney Pollack died peacefully at his home in the Pacific Palisades neighborhood of Los Angeles on May 26, 2008, at the age of 73.
7. Influences and Legacy
Sydney Pollack's long and distinguished career left a lasting mark on American cinema, characterized by his versatile talents as a director, producer, and actor. His films often explored themes of human relationships, moral dilemmas, and the complexities of the human spirit, earning him both critical acclaim and commercial success.
In the 2002 Sight & Sound Directors' Poll, Pollack revealed his top ten films, which reflect some of the cinematic works that influenced his own artistry:
- Casablanca (1943)
- Citizen Kane (1941)
- The Conformist (1970)
- The Godfather Part II (1974)
- Grand Illusion (1937)
- The Leopard (1963)
- Once Upon a Time in America (1984)
- Raging Bull (1980)
- The Seventh Seal (1957)
- Sunset Boulevard (1950)
Pollack's legacy is further cemented by his commitment to the film industry beyond his own projects. He co-founded the American Cinematheque, an organization dedicated to the public presentation of the moving image. His moving image collection is preserved at the Academy Film Archive, ensuring his contributions remain accessible for future generations of filmmakers and scholars. His ability to navigate between directing, producing, and acting, often taking on challenging and diverse roles, established him as a true multi-hyphenate and a respected figure in Hollywood.