1. Early Life and Career
Shinsuke Sato's early life and professional journey laid the foundation for his prolific career in the Japanese entertainment industry.
1.1. Birthplace and Education
Sato was born on September 16, 1970, in Mori, Tojo Town, Hiba District, Hiroshima Prefecture, Japan, which is now part of Mori, Tojo Town, Shobara. His father worked as a junior high school English tutor in his hometown of Tojo.
He attended Shobara Municipal Yahata Junior High School, which is now Shobara Municipal Tojo Junior High School, and later Hiroshima Johoku High School. After a year of preparation, he enrolled in Musashino Art University, where he honed his artistic and directorial skills. Sato is known to be a fan of zombie films, with Dan O'Bannon's The Return of the Living Dead being a particular favorite.
1.2. Founding of Angle Pictures and Early Works
While still a student at Musashino Art University in 1994, Sato co-founded the production company Angle Pictures with Taro Kawazu. The company was later incorporated in December 2011.
His debut directorial work, Ryōnai Genjuku (寮内厳粛), received critical acclaim, winning the Grand Prize at the Pia Film Festival '94 (PFF94). In his early career as a director, Sato primarily focused on developing original stories. However, in 2008, he took on his first major adaptation project with the live-action film Sand Chronicles, based on the manga by Hinako Ashihara. This marked a significant shift in his career toward adapting popular existing works. In 2009, he made his debut as an anime director with Oblivion Island: Haruka and the Magic Mirror, produced by Production I.G.
2. Filmography
Shinsuke Sato's filmography spans a wide range of roles, primarily as a director and screenwriter, across feature films, animated films, television dramas, and video games.
2.1. Film Director
Sato has directed numerous cinematic productions, establishing himself as a prominent figure in Japanese cinema, particularly for his live-action adaptations.
2.1.1. Feature Films
Sato is renowned for his live-action feature film adaptations of popular manga and anime, bringing beloved stories to the big screen.
- Ryōnai Genjuku (1996)
- Tsukishima Kyōsō (1996)
- Seimonmae Yuki (1997)
- Mihara Yuzo (2000)
- LOVE SONG (2001) - also screenwriter
- The Princess Blade (2001) - also screenwriter
- COSMIC RESCUE The Moonlight Generations (2003)
- All About My Dog (2005) - also screenwriter
- Shibō Jikoku (2006)
- Sand Chronicles (2008) - also screenwriter
- Gantz (2011)
- Gantz: Perfect Answer (2011)
- Library Wars (2013)
- All-Round Appraiser Q: The Eyes of Mona Lisa (2014)
- Library Wars: The Last Mission (2015)
- I Am a Hero (2016)
- Death Note: Light Up the New World (2016)
- Inuyashiki (2018)
- Bleach (2018) - also screenwriter
- Kingdom (2019) - also screenwriter
- Kingdom 2: Far and Away (2022)
- Kingdom 3: The Flame of Destiny (2023)
- Kingdom 4: Return of the Great General (2024)
- My Hero Academia (TBA, American film)
2.1.2. Animated Films
Sato has also directed animated features, contributing to the diverse landscape of Japanese animation.
- Oblivion Island: Haruka and the Magic Mirror (2009) - also screenwriter
2.2. Screenwriter
In addition to his directorial work, Sato has penned screenplays for numerous films and television projects, often for films he also directed.
- Ryōnai Genjuku (1996)
- Tsukishima Kyōsō (1996)
- Seimonmae Yuki (1997)
- Tokyo Lullaby (1997)
- Tadon to chikuwa (segment "Tadon") (1998)
- Zawa-zawa Shimokita-sawa (2000)
- Mihara Yuzo (2000)
- Sunflower (2000)
- LOVE SONG (2001)
- The Princess Blade (2001)
- Rock'n'Roll Mishin (2002)
- COSMIC RESCUE The Moonlight Generations (2003)
- Seventh Anniversary (2003)
- Spring Snow (2005)
- All About My Dog (2005)
- Star Reformer (2006)
- Kenchō no Hoshi (2006)
- Sand Chronicles (2008)
- Oblivion Island: Haruka and the Magic Mirror (2009)
- Bleach (2018) - co-written with Daisuke Habara
- Kingdom (2019) - co-written with Tsutomu Kuroiwa and Yasuhisa Hara
- Alice in Borderland (2020-present)
2.3. Television Dramas
Sato's work extends to television, where he has taken on roles as a director and in series composition for various dramas and web series.
- Koi, Shita. (1997) - Director (episodes 13, 23), Screenwriter (episodes 13, 15, 20, 23)
- Lucky Seven (2012) - Series composition, Director (episodes 1, 4, 10)
- Library Wars: Book of Memories (2015) - Director
- Death Note: New Generation (2016) - Director (Hulu)
- Alice in Borderland (2020-present) - Director, Screenwriter (Netflix)
2.4. Video Game Contributions
Sato has also made contributions to the video game industry, primarily in character and scenario design, and directing cinematics.
- Tekken 4 (2002) - Character and scenario designer
- Red Ninja: End of Honor (2005) - Collaboration support, Screenwriter
- Shin Sangoku Musou MR - Opening Movie Director
- Bladestorm - Opening Movie Director
- Sangokushi Online - Opening Movie Director
- Shin Sangoku Musou Online - Opening Movie Director
- Shin Sangoku Musou 4 Moushouden - Opening Movie Director
- Shin Sangoku Musou 4 - Opening Movie Director
- Samurai Warriors 2 - Opening Movie & In-Game Movie Director
- Kessen III - Movie Supervisor
3. Awards and Honors
Shinsuke Sato has received numerous awards and honors throughout his career, recognizing his significant contributions to film direction and screenwriting.
Year | Award | Category | Work | Notes |
---|---|---|---|---|
2009 | Japan Academy Prize | Excellent Animation of the Year | Oblivion Island: Haruka and the Magic Mirror | 33rd Japan Academy Prize |
2010 | Visual Technology Award | Animation Division Visual Technology Award | Oblivion Island: Haruka and the Magic Mirror | 9th Visual Technology Award |
2010 | Fantasia International Film Festival | Special Award | Oblivion Island: Haruka and the Magic Mirror | 14th Fantasia International Film Festival |
2010 | Seoul International Cartoon & Animation Festival (SICAF) | Jury Special Prize | Oblivion Island: Haruka and the Magic Mirror | 14th SICAF |
2010 | Expotoons International Animation Film Festival | Jury Award | Oblivion Island: Haruka and the Magic Mirror | 4th Expotoons |
2010 | Digital Content Grand Prix | DCAJ Chairman's Award | Oblivion Island: Haruka and the Magic Mirror | 25th Digital Content Grand Prix |
2010 | Japan Media Arts Festival | Jury Recommended Work (Animation Division) | Oblivion Island: Haruka and the Magic Mirror | 13th Japan Media Arts Festival |
2016 | Brussels International Fantastic Film Festival | Golden Raven Award (Grand Prize) | I Am a Hero | |
2018 | Fantasia International Film Festival | Outstanding Achievement Award | N/A | Sato was the third Japanese director to receive this award, following Takashi Miike and Mamoru Oshii. |
2018 | Brussels International Fantastic Film Festival | Golden Raven Award (Grand Prize) | Inuyashiki | |
2019 | Japan Academy Prize | Excellent Director | Kingdom | 43rd Japan Academy Prize |
2019 | Hochi Film Award | Best Director | Kingdom | 44th Hochi Film Award |
2019 | Location Japan Award | Best Director | Kingdom | 10th Location Japan Award |
2024 | Japan Academy Prize | Excellent Director | Kingdom 4: Return of the Great General | 48th Japan Academy Prize |
4. External Links
- [http://shinsukesato.petit.cc Shinsuke Sato Official Site]
- [https://anglepic.com/ Angle Pictures]
- [https://www.imdb.com/name/nm0766263/ Shinsuke Sato on IMDb]
- [https://www.animenewsnetwork.com/encyclopedia/people.php?id=20881 Shinsuke Sato at Anime News Network]
- [https://twitter.com/Shin_Angle Shinsuke Sato on Twitter]
- [https://www.allcinema.net/person/272155 Shinsuke Sato at AllCinema]
- [https://www.kinejun.com/person/130121 Shinsuke Sato at Kinejun]