1. Early life and education
James Blake Litherland was born on 26 September 1988, in Enfield, London, England. He is the only child of musician James Litherland, known for his work with Colosseum and Mogul Thrash alongside John Wetton, and Helen Litherland. His debut album's track, "The Wilhelm Scream", is a cover of his father's song. Blake exhibited a strong interest and aptitude for music from a young age. He received classical piano training during his childhood and completed his primary education at Grange Park Primary School in Winchmore Hill, followed by secondary education at The Latymer School in Edmonton.
At the age of 17, Blake was introduced to dubstep at the FWD>> club, a pivotal venue in the genre's development, which sparked his interest in electronic music. He began creating music in his bedroom while attending The Latymer School. He later pursued higher education at Goldsmiths, University of London, where he earned a degree in Popular Music, studying alongside artists such as Katy B and Ifan Dafydd. While at university, Blake and his friends organized a series of "Bass Society" music nights, which featured prominent UK artists like Distance, Skream, and Benga, further immersing him in the burgeoning electronic music scene.
2. Career
2.1. Early Releases and EPs (2009-2010)
James Blake commenced his musical career in July 2009 with the release of his debut 12-inch record, "Air & Lack Thereof," in the United Kingdom. This initial release, recorded in his bedroom and distributed by the Hemlock label, quickly garnered attention from BBC Radio 1 DJ Gilles Peterson, who championed the track. Following its release, Peterson invited Blake to perform a special mix on his international show, which included an exclusive track by Mount Kimbie.
In March 2010, Blake released his second EP, The Bells Sketch. Later that year, he submitted his fourth EP, Klavierwerke, as a second-year composition assignment for his studies at Goldsmiths, receiving high marks for the work. By the time of this release in September, Blake's interest in his academic studies had reportedly waned.
In May 2010, his third EP, CMYK, was released through R&S Records. The title track, "CMYK," was chosen by BBC Radio 1 DJ Nick Grimshaw as his "Record of the Week" and received significant airplay from other DJs. On 29 September 2010, Zane Lowe designated Blake's cover version of "Limit to Your Love" as his "Hottest Record in the World." This song, originally by Feist from her album The Reminder, was released as a single in the UK on 28 November 2010, debuting at number 47 on the UK Singles Chart. During this period, Blake also participated in several tour performances with the electronic duo Mount Kimbie.
2.2. Debut Album and Critical Recognition (2011)

In late 2010, James Blake was nominated for the BBC's annual "Sound of 2011" poll, which identifies promising new musicians, ultimately securing second place behind Jessie J and ahead of The Vaccines and Jamie Woon. On 15 December 2010, he was also the runner-up for the BRIT Awards' "Critic's Choice" accolade. In January 2011, Blake's track "CMYK" was honored as Single of the Year (2010) at Gilles Peterson's Worldwide Awards. His work from 2010 appeared on numerous year-end best-of lists, with "CMYK" ranking 24th on Frontier Psychiatrist's top 40 songs, and the EPs The Bells Sketch, CMYK, and Klavierwerke collectively placing 8th on Pitchfork Media's top 50 albums of 2010. Additionally, "I Only Know (What I Know Now)" was ranked 8th on Pitchfork's top 100 tracks of 2010. Amazon.com ranked his debut album 4th on its best albums of 2011, and Mojo magazine placed it 17th.
Blake's self-titled debut album, James Blake, consisting of 11 tracks, was released on 7 February 2011, though it was leaked online days prior to its official release. "The Wilhelm Scream" was unveiled as the album's second single on 9 January 2011. In February 2011, Blake was featured on the cover of The Fader's 72nd issue. In August 2011, he debuted "Fall Creek Boys Choir", a collaboration with Bon Iver. The following month, the BBC released an exclusive mix by Blake, featuring ten of his unreleased songs, including "Deeds," "Olivia Kept," and "Evening Fell Hard for Us."
Later in 2011, Blake released the EPs Enough Thunder and Love What Happened Here. These EPs showcased a more structured, R&B-tinged sound, marking a noticeable shift from the experimental electronic style of his earlier releases like CMYK. Towards the end of 2012, Blake performed three intimate shows where he debuted new material.
2.3. "Overgrown" and Major Success (2012-2013)

In early 2012, James Blake spent time collaborating with American rapper Kanye West, who had publicly named Blake as his favorite artist, and singer Justin Vernon of Bon Iver. Later that year, Blake announced a new non-single collaboration under his alias Harmonimix with British rapper Trim; the single "Confidence Boost/Saying" was released on 24 September 2012. Also in 2012, Blake and his friends, including Foat, Nick Sigsworth, and touring musicians Rob McAndrews and Ben Assiter, established a residency at the club Plastic People as the collective 1-800 Dinosaur, hosting a series of spontaneous dance nights. In the summer of 2013, the collective launched a record label of the same name, through which Blake and other artists released their material.
His second album, Overgrown, was released on 5 April 2013. The album's lead single, "Retrograde", premiered on BBC Radio 1 on the same day and was officially released on 11 February. The track listing and album art were unveiled on 25 February. Overgrown was selected as Variance Magazine's Album of the Year in December 2013. The album notably featured guest appearances from acclaimed electronic music producer Brian Eno and rapper RZA of Wu-Tang Clan. The release received widespread critical acclaim and was awarded the 2013 Mercury Prize. The judges praised the album as "...late-night music for the digital age. An inventive, poignant and poetic record of great beauty." Blake revealed to Hot Press that falling in love had significantly influenced the warm, nu-soul sound of the album, contrasting with the more experimental nature of his self-titled debut. A remix of "Life Round Here" from Overgrown, featuring Chance the Rapper, was released on 11 October, accompanied by a music video directed by Nabil Elderkin.
2.4. "The Colour in Anything" and Collaborations (2014-2017)
In an interview with Spotify, James Blake recounted an incident in December 2014 where he declined permission for Drake's label to use a beat from one of his older tracks on Drake's single "0 to 100 / The Catch Up". Blake later expressed shock upon learning the substantial financial sum he had foregone by refusing the sample. During his BBC Radio 1 Residency in December 2014, Blake announced that his third studio album would be titled Radio Silence and was slated for release in the first half of 2015. He later confirmed that the album would feature collaborations with Bon Iver and Kanye West, along with guitar work from Connan Mockasin.
In 2014, Blake received a Grammy Award nomination for Best New Artist. On 11 February 2016, he premiered a new song, "Modern Soul", during his BBC Radio 1 residency. On 14 April 2016, Blake revealed during a surprise hosting spot on BBC Radio 1 that the album was complete, comprising 18 tracks, including one that extended to 20 minutes. He also premiered a new song titled "Timeless" during the broadcast. In a May 2016 interview with BBC Radio 1, Blake stated that he began working on the album in England but completed the recording at Shangri La Studios in the United States with producer Rick Rubin after "running out of steam."
Blake produced and was featured on the song "Forward" from Beyoncé's 2016 album Lemonade, and also co-wrote the album's opening track, "Pray You Catch Me." On 28 April, Blake and his label, 1-800 Dinosaur, shared social media posts featuring a mural by children's novel illustrator Sir Quentin Blake (known for his collaborations with Roald Dahl), hinting at the new album title, The Colour in Anything. This was officially confirmed as the title of his new album days later, which was released on 6 May 2016.
Blake collaborated with Jay-Z on his 2017 album 4:44, producing two of the three bonus tracks and featuring on "MaNyfaCedGod." He also contributed to the production of Kendrick Lamar's song "Element", refining its original "jazzy" sound. On 2 September 2016, Blake released a remix of "Timeless" featuring Vince Staples, which had previously been leaked online. In December 2017, Blake released a cover of "Vincent" by Don McLean, accompanied by a studio performance video.
2.5. "Assume Form" and Artistic Expression (2018-2020)
On 11 January 2018, James Blake co-wrote and performed alongside Jay Rock, Kendrick Lamar, and Future on the single "King's Dead" from Rock's album Redemption and the soundtrack Black Panther: The Album. The song achieved commercial success, reaching number 21 in the United States and number 50 in the United Kingdom. "King's Dead" later earned a Grammy Award for Best Rap Performance at the 2019 ceremony. Blake also contributed to another track on the Black Panther soundtrack, "Bloody Waters," which he co-wrote with Lamar, Mark Spears, Robin Braun, and Ab-Soul.

On 26 January 2018, Blake released a new single, "If the Car Beside You Moves Ahead", accompanied by its music video, which premiered during his BBC Radio 1 residency. His second solo single of the year, "Don't Miss It", was shared on 24 May with a lyric video and released the following month. While the track received critical acclaim, a less positive review from Kevin Lozano of Pitchfork described it as "sad boy music." This prompted a significant response from Blake, who publicly stated, "I can't help but notice, as I do whenever I talk about my feelings in a song, that the words 'sad boy' are used to describe it. I've always found that expression to be unhealthy and problematic when used to describe men just openly talking about their feelings." This statement highlighted his commitment to promoting emotional openness and challenging harmful stereotypes surrounding male vulnerability, aligning with his broader artistic and social impact.
Blake mixed and provided additional production on the ninth album by American electronic musician Oneohtrix Point Never, titled Age Of, released in June 2018. He also co-wrote and was featured on "Stop Trying to Be God" from Travis Scott's third studio album, Astroworld, and appeared in the song's music video.
In December 2018, Blake announced a North American tour for February/March 2019, with tickets including a copy of his forthcoming album. Later that month, he teased new material with André 3000 during a show in Brooklyn, marking their second collaboration after "Look Ma No Hands," on which Blake provided the piano part earlier that year. In early January 2019, Amazon.fr inadvertently leaked details of Blake's fourth album, Assume Form, including its track listing and collaborations with André 3000, Travis Scott, and Metro Boomin. Soon after, LED billboards promoting the album appeared in London and New York. The album's release date was confirmed as 18 January 2019 through advertising in the London Underground. The day before the album's release, Blake released the tracks "Mile High" featuring Travis Scott and Metro Boomin, and "Lullaby for My Insomniac." Following the album's release, "Barefoot in the Park" and "Mulholland" (a vinyl-only track) were released as singles on 4 and 26 April, respectively, with the former accompanied by a music video.
Throughout 2020, Blake released several new tracks, including "You're Too Precious" and "Are You Even Real?," followed by the Before EP in October.
2.6. Recent Projects and Stylistic Evolution (2021-Present)
James Blake released his fifth album, Friends That Break Your Heart, on 8 October 2021, after a delay caused by the COVID-19 pandemic. This album largely maintained a stylistically traditional approach. It was followed by an ambient album titled Wind Down on 18 March 2022, created in collaboration with German artificial intelligence media company Endel to aid listeners in falling asleep. The subsequent year saw Blake collaborating with several hip hop artists, including Kanye West, Flatbush Zombies, JID, and Don Toliver.
Blake's sixth album, Playing Robots Into Heaven, was released on 8 September 2023. This album marked a notable return to his electronic and club music roots, incorporating elements of dance and experimental music. The lead single, "Big Hammer," was released on 28 June 2023, accompanied by a heist-themed music video directed by Oscar Hudson, which features three robbers in white tracksuits.
In 2024, Blake departed from Polydor Records and established CMYK Group, a new production house and record label. He released the single and music video for "Thrown Around" in May 2024. The following month, Blake released the "CMYK 002" extended play and Bad Cameo, a collaborative album with Lil Yachty, further showcasing his stylistic versatility and independent artistic direction.
3. Musical Style and Influences
James Blake is recognized for his distinctive baritone vocal range. His early releases are characterized by an experimental and electronic style, heavily influenced by UK bass music genres such as dubstep and 2-step garage. On EPs like The Bells Sketch, CMYK, and Klavierwerke, Blake's own voice is often obscured and processed, integrated with vocal samples from 1990s R&B, prominent sub-bass frequencies, and irregular, sparse rhythms. His early work was frequently labeled "post-dubstep" by critics, reflecting his progression beyond the genre's initial characteristics.
By the time of his 2011 debut album, Blake's vocals and piano became more prominent, and his compositions adopted more traditional song structures, showing influences from gospel and soul. His second album, Overgrown (2013), continued this evolution, blending an electronic approach with balladry and his soul-inflected vocals. Music critic and theorist Mark Fisher described Blake's stylistic development in 2013 as "like hearing a ghost gradually assume material form; or it's like hearing the song form (re)coalescing out of digital ether." Dash Lewis of Pitchfork summarized Blake's career as a "journey from club deconstructionist to pop auteur," noting that his 2021 album Friends That Break Your Heart was a "brightly colored, features-heavy singer-songwriter collection that careened through genres, light-years from the minimalism of his early work." His 2023 album Playing Robots Into Heaven marked a partial return to his electronic club roots, demonstrating his continuous exploration and reinterpretation of his foundational sounds.
Blake's formative influences include the sparse dubstep sound of Burial and Digital Mystikz, alongside singer-songwriters such as Stevie Wonder, D'Angelo, Joni Mitchell, and Sly Stone. In 2016, Blake revealed that a primary inspiration for his live performances was the Jimi Hendrix live album Band of Gypsys (1970), stating, "I want to be that. It's so free."
4. Personal Life
James Blake was previously in a relationship with American musician Theresa Wayman. Since 2015, he has been in a relationship with British actress and activist Jameela Jamil.
5. Critical Reception and Legacy
James Blake's work has consistently received critical acclaim, marking him as a significant figure in contemporary music. His self-titled debut album was nominated for the Mercury Prize in 2011, and his second album, Overgrown, won the award in 2013, with judges praising it as an "inventive, poignant and poetic record of great beauty." He has also garnered multiple Grammy Awards and nominations, including a nomination for Best New Artist in 2014, and a Latin Grammy Award for his songwriting and production contributions to Rosalía's Motomami.
Blake's artistic development has been characterized by a unique blend of electronic experimentation and soulful vocal delivery. His influence extends beyond his direct musical output, particularly through his collaborations with prominent artists in hip-hop and R&B, where he has contributed as a producer and songwriter.
A notable aspect of Blake's legacy is his advocacy for emotional vulnerability in art. His response to critics who labeled his music as "sad boy music" highlighted a broader social commentary on the importance of men openly expressing their feelings, challenging harmful stereotypes and contributing to a more nuanced public discourse on male mental health and emotional well-being. This stance underscores his impact not only as a musician but also as an artist who uses his platform to address significant social issues.
6. Discography
Solo studio albums
- James Blake (2011)
- Overgrown (2013)
- The Colour in Anything (2016)
- Assume Form (2019)
- Friends That Break Your Heart (2021)
- Playing Robots into Heaven (2023)
Collaborative studio album
- Bad Cameo (with Lil Yachty) (2024)
EPs
- The Bells Sketch (2010)
- CMYK (2010)
- Klavierwerke (2010)
- Enough Thunder (2011)
- Love What Happened Here (2011)
- 200 Press (2014)
- Before (2020)
- CMYK 002 - Let Her Know (2024)
Singles
- "Air & Lack Thereof" (2009)
- "Pembroke" (with Airhead) (2010)
- "Limit to Your Love" (2010)
- "The Wilhelm Scream" (2011)
- "Lindisfarne / Unluck" (2011)
- "Order / Pan" (2011)
- "Fall Creek Boys Choir" (with Bon Iver) (2011)
- "A Case of You" (2011)
- "Retrograde" (2013)
- "Overgrown" (2013)
- "Life Round Here" (2013)
- "Modern Soul" (2016)
- "Timeless" (2016)
- "Radio Silence" (2016)
- "My Willing Heart" (2016)
- "I Need a Forest Fire" (with Bon Iver) (2016)
- "If the Car Beside You Moves Ahead" (2018)
- "Don't Miss It" (2018)
- "Mile High" (featuring Travis Scott and Metro Boomin) (2019)
- "Lullaby for My Insomniac" (2019)
- "Barefoot in the Park" (featuring Rosalía) (2019)
- "Mulholland" (2019)
- "You're Too Precious" (2020)
- "Are You Even Real?" (2020)
- "Say What You Will" (2021)
- "Big Hammer" (2023)
- "Thrown Around" (2024)
7. Awards and Nominations
James Blake has received numerous awards and nominations throughout his career, recognizing his contributions as a singer, songwriter, and producer. He was nominated for the Mercury Prize in 2011 for his self-titled debut album and won the award in 2013 for his album Overgrown. He has also received multiple Grammy Awards from nine nominations, including a win for Best Rap Performance for "King's Dead" and a Latin Grammy Award for Album of the Year for his work on Rosalía's Motomami.
Award | Year | Category | Nominated work | Result |
---|---|---|---|---|
Berlin Music Video Awards | 2018 | Best Experimental | "If the Car Beside You Moves Ahead" | Nominated |
BBC Sound of... | 2011 | BBC Sound of 2011 | James Blake | 2nd place |
Brit Awards | 2011 | Critic's Choice | James Blake | Nominated |
2012 | British Male Solo Artist | James Blake | Nominated | |
2014 | James Blake | Nominated | ||
Grammy Awards | 2014 | Best New Artist | James Blake | Nominated |
2017 | Album of the Year | Lemonade (as featured artist and producer) | Nominated | |
2019 | Best Rap Song | "King's Dead" | Nominated | |
Best Rap Performance | Won | |||
2020 | Best Alternative Music Album | Assume Form | Nominated | |
2022 | Best Dance/Electronic Recording | "Before" | Nominated | |
2024 | Best Dance/Electronic Recording | "Loading" | Nominated | |
Best Dance/Electronic Album | Playing Robots into Heaven | Nominated | ||
Best Rap Song | "Scientists & Engineers" (as songwriter) | Won | ||
Ivor Novello Awards | 2012 | Best Contemporary Song | "The Wilhelm Scream" | Nominated |
2014 | "Retrograde" | Nominated | ||
2022 | "Coming Back" (featuring SZA) | Nominated | ||
Latin Grammy Awards | 2022 | Album of the Year | Motomami (as songwriter and producer) | Won |
Mercury Prize | 2011 | Best Album | James Blake | Nominated |
2013 | Overgrown | Won | ||
MTV Video Music Awards | 2020 | Best Editing | "Can't Believe the Way We Flow" | Nominated |
MTV Video Music Awards Japan | 2012 | Best New Artist | "Limit to Your Love" | Nominated |
Best Dance Video | Nominated | |||
mtvU Woodie Awards | 2014 | Best Collaboration Woodie | "Life Round Here" (featuring Chance the Rapper) | Nominated |
Music Producers Guild Awards | 2014 | UK Album of the Year | Overgrown | Nominated |
Q Awards | 2011 | Breakthrough Artist | James Blake | Nominated |
UK Music Video Awards | 2011 | Best Alternative Video - UK | "Lindisfarne" | Nominated |
2012 | "A Case of You" | Nominated | ||
Best Cinematography in a Video | Nominated | |||
Best Telecine in a Video | Nominated | |||
2013 | Best Alternative Video - UK | "Overgrown" | Nominated | |
Best Colour Grade In a Video | "Retrograde" | Nominated | ||
2019 | Best Artist | James Blake | Nominated | |
Best Alternative Video - UK | "Can't Believe the Way We Flow" | Nominated | ||
Best Editing in a Video | Nominated | |||
2021 | Best Alternative Video - UK | "Say What You Will" | Nominated | |
Best Performance in a Video | Nominated | |||
Best Hip Hop/Grime/Rap Video - UK | "Feel Away" (with slowthai and Mount Kimbie) | Nominated | ||
2023 | Best Dance/Electronic Video - UK | "Big Hammer" | Nominated | |
Best Editing in a Video | Nominated | |||
2024 | Best Dance/Electronic Video - UK | "Thrown Around" | Nominated | |
"Playing Robots in Heaven" | Nominated | |||
Best Cinematography in a Video | Nominated | |||
World Music Awards | 2014 | World's Best Male Artist | James Blake | Nominated |
World's Best Live Act | Nominated | |||
World's Best Entertainer | Nominated |