1. Early life and education
Benjamin Wallfisch's formative years were deeply rooted in a distinguished musical family, where he received comprehensive training that laid the foundation for his diverse career as a composer and conductor.
1.1. Birth and family background
Benjamin Mark Lasker Wallfisch was born on 7 August 1979, in London, England. He is the eldest of three children born to Elizabeth Wallfisch (née Hunt), an Australian Baroque violinist, and Raphael Wallfisch, a prominent British cellist. Wallfisch's paternal grandparents were Peter Wallfisch, a renowned pianist, and Anita Lasker-Wallfisch, a distinguished cellist. Anita Lasker-Wallfisch is notable as a Holocaust survivor and a former member of the Women's Orchestra of Auschwitz, where her musical talent as a cello player helped save her from extermination. The Wallfisch family has a German-Jewish heritage, emigrating from the city of Breslau, Germany, which is now Wrocław, Poland. His great-grandfather was the celebrated conductor Albert Coates.
1.2. Musical training
Wallfisch began his musical journey at an early age, starting piano lessons at five years old and taking up conducting at six. He pursued his formal musical education at several prestigious institutions in the United Kingdom. He studied at the Guildhall School of Music and Drama, the Royal Northern College of Music, and the University of Manchester. Following his graduation, Wallfisch began actively working as a conductor both within the UK and internationally.
2. Career
Benjamin Wallfisch's professional journey is marked by his significant roles and diverse collaborations across film scoring, concert performances, and recordings, solidifying his reputation as a versatile and influential figure in contemporary music.
2.1. Early career and influences
Wallfisch made his debut as a film music composer in 2004. Early in his career, he became associated with Hans Zimmer's acclaimed production company, Remote Control Productions, which served as a significant platform for his development and collaborations in the film music industry.
2.2. Film scoring
Wallfisch has amassed an extensive filmography as a film composer, contributing to over 50 feature films. He has frequently collaborated with notable directors, including Andy Muschietti on It, It Chapter Two, and The Flash; David F. Sandberg on Lights Out, Annabelle: Creation, and Shazam!; Leigh Whannell on The Invisible Man; Denis Villeneuve on Blade Runner 2049; and Theodore Melfi on Hidden Figures and The Starling.
His compositional style demonstrates remarkable versatility across various genres. For instance, he is recognized for his work on horror films such as Lights Out, Annabelle: Creation, It, It Chapter Two, and The Invisible Man, often crafting scores that enhance suspense and emotional depth. In the realm of science fiction, his co-composition with Hans Zimmer for Blade Runner 2049 garnered critical acclaim for its immersive and atmospheric soundscapes, which replaced previous composer Jóhann Jóhannsson and incorporated themes by Vangelis. He also composed the score for Simon McQuoid's Mortal Kombat for New Line Cinema and Warner Bros.. Other projects include Neil Marshall's Hellboy and Gore Verbinski's A Cure for Wellness. He also contributed music based on Edward Elgar's "Enigma Variations" for Christopher Nolan's Dunkirk. His scoring work also includes James Moll's short film Auschwitz, James Marsh's King of Thieves, and Steven Knight's Serenity.
Wallfisch has frequently collaborated with other prominent composers. His work on Hidden Figures involved a joint effort with Pharrell Williams and Hans Zimmer. He also contributed additional music to films scored by Hans Zimmer, such as 12 Years a Slave and The Little Prince, and with Hans Zimmer and Junkie XL on Batman v Superman: Dawn of Justice. Most recently, he co-composed the score for Kraven the Hunter with Evgueni Galperine and Sacha Galperine.
2.3. Concerts and recordings
Beyond film scoring, Wallfisch maintains an active career as a conductor and recording artist. He has released 25 albums and has conducted over 100 live concerts worldwide. He has led major orchestras including the London Philharmonic Orchestra, the Philharmonia Orchestra, the Los Angeles Philharmonic, the Los Angeles Chamber Orchestra, and the Sydney Symphony Orchestra. His performances have taken place at renowned venues such as the Hollywood Bowl, the Sydney Opera House, and the Royal Festival Hall.
Wallfisch has collaborated and performed his music with internationally acclaimed artists like Lang Lang, Herbie Hancock, and Yuja Wang. He has also collaborated with Pharrell Williams on three occasions, including a live performance at the 2015 Grammy Awards. Furthermore, he was responsible for arranging Adele's performance of George Michael's "Fastlove" at the 2017 Grammy Awards.
2.4. Professional affiliations
Benjamin Wallfisch is a member of several prestigious professional organizations within the arts and film industries. He has been a member of the BAFTA Academy since 2009. In 2014, he was appointed an Associate of the Royal Academy of Music. In 2017, he received an invitation to join the Academy of Motion Picture Arts and Sciences.
3. Works
Benjamin Wallfisch's extensive body of work includes original scores and additional music for numerous films, television series, and theatre productions.
3.1. Film
Benjamin Wallfisch's film contributions are categorized by his role in the score's composition.
3.1.1. As primary score composer
Year | Title | Director(s) | Studio(s) | Notes |
---|---|---|---|---|
2005 | Dear Wendy | Thomas Vinterberg | Lucky Punch, Nimbus Film Productions, Zentropa Entertainments, TV2 Danmark, Zentropa International Köln | Nominated - Robert Award for Best Score |
2008 | The Escapist | Rupert Wyatt | Picture Farm, Parallel Film Productions, Vertigo Films | - |
2009 | In Search of the Messiah | Tim Meara | Meara Films | Documentary film |
2012 | Fetih 1453 | Faruk Aksoy | Aksoy Film, Medyapim | - |
2013 | Hours | Eric Heisserer | The Safran Company, PalmStar Media, Hours Capital | As composer and conductor |
Hammer of the Gods | Farren Blackburn | Vertigo Films, Magnolia Pictures | Nominated - Hollywood Music in Media Award for Best Original Song | |
Summer in February | Christopher Menaul | CrossDay Productions Ltd., Apart Films, Marwood Pictures | Hollywood Music in Media Award for Best Original Score | |
2014 | Desert Dancer | Richard Raymond | CrossDay Productions Ltd., Head Gear Films, Lipsync Productions | - |
Bhopal: A Prayer for Rain | Ravi Kumar | Rising Star Entertainment, Wardour Media Group, Sahara One Motion Pictures | - | |
2015 | Auschwitz | James Moll | Allentown Productions | Documentary film |
A Flickering Truth | Pietra Brettkelly | PBK Limited, Umbrella Entertainment | ||
Gamba | Tomohiro Kawamura, Yoshihiro Komori | Arad Productions, Grindstone Pictures, Shirogumi | Japanese animated film | |
Pressure | Ron Scalpello | Pinewood Pictures, Vertical Entertainment | - | |
Within | Phil Claydon | The Safran Company, New Line Cinema, Warner Bros. | - | |
2016 | Lights Out | David F. Sandberg | New Line Cinema, RatPac-Dune Entertainment, Grey Matter Productions, Atomic Monster | First collaboration with David F. Sandberg, as composer and conductor |
Mully | Scott Haze | Bardis Productions, Sterling Light Productions | Documentary film | |
Hidden Figures | Theodore Melfi | Fox 2000 Pictures, Levantine Films, Chernin Entertainment | Composed with Hans Zimmer and Pharrell Williams | |
A Cure for Wellness | Gore Verbinski | 20th Century Fox, Regency Enterprises, New Regency Productions, Blind Wink Productions | Orchestra conducted by Gavin Greenaway | |
2017 | Bitter Harvest | George Mendeluk | Devil's Harvest Productions, Roadside Attractions, D Films | As composer and conductor |
Annabelle: Creation | David F. Sandberg | New Line Cinema, Warner Bros. Pictures, Atomic Monster, Grey Matter Productions | Second collaboration with David F. Sandberg, orchestra conducted by Timothy Williams | |
It | Andy Muschietti | New Line Cinema, Warner Bros. Pictures, Vertigo Entertainment | First collaboration with Andy Muschietti | |
Blade Runner 2049 | Denis Villeneuve | Warner Bros. Pictures, Columbia Pictures, Alcon Entertainment, Scott Free Productions | Composed with Hans Zimmer | |
2018 | The Darkest Minds | Jennifer Yuh Nelson | 20th Century Fox, 21 Laps Entertainment | Orchestra conducted by Timothy Williams & Benjamin Wallfisch |
King of Thieves | James Marsh | Working Title Films, StudioCanal UK | Orchestra conducted by Chris Egan | |
The Vanishing | Kristoffer Nyholm | Cross Creek Pictures, Saban Entertainment, Lionsgate Films | - | |
2019 | Serenity | Steven Knight | IM Global | Additional music by Antonio Andrade, orchestra conducted by Geoff Alexander |
Shazam! | David F. Sandberg | DC Films, New Line Cinema, Warner Bros. Pictures, The Safran Company | Third collaboration with David F. Sandberg. Orchestra conducted by Chris Egan & Benjamin Wallfisch | |
Hellboy | Neil Marshall | Millennium Films, Dark Horse Entertainment | Additional music by Antonio Andrade, Jared Fly & Alex Lu. Orchestra conducted by Chris Egan and performed by The Chamber Orchestra of London | |
It Chapter Two | Andy Muschietti | New Line Cinema, Warner Bros. Pictures, Vertigo Entertainment | Second collaboration with Andy Muschietti, Orchestra conducted by Arturo Rodriguez | |
2020 | The Invisible Man | Leigh Whannell | Universal Pictures, Blumhouse | Orchestra conducted by Chris Egan, performed by The Chamber Orchestra of London |
2021 | Mortal Kombat | Simon McQuoid | Warner Bros. Pictures, New Line Cinema, Atomic Monster, Broken Road Productions | Orchestra conducted by Brett Kelly & Christopher Gordon |
The Starling | Theodore Melfi | Netflix, Limelight, Entertainment One, Boies/Schiller Film Group | Second collaboration with Theodore Melfi, Orchestra conducted by Geoff Alexander and performed by Chamber Orchestra of London | |
2022 | Thirteen Lives | Ron Howard | United Artists Releasing, Metro-Goldwyn-Mayer, Universal Pictures, Bron Creative, Imagine Entertainment | Orchestra conducted by Chris Egan & performed by Chamber Orchestra of London |
2023 | The Flash | Andy Muschietti | Warner Bros. Pictures, DC Studios, The Disco Factory, Double Dream | Third collaboration with Andy Muschietti. Orchestra conducted by Chris Egan & Benjamin Wallfisch and performed by Chamber Orchestra of London |
2024 | Twisters | Lee Isaac Chung | Universal Pictures, Warner Bros. Pictures, Amblin Entertainment, Domain Entertainment | Orchestra conducted by Arturo Rodriguez & Benjamin Wallfisch |
Alien: Romulus | Fede Álvarez | 20th Century Studios, Scott Free Productions, Brandywine Productions | Orchestra conducted by Chris Egan and performed by Chamber Orchestra of London | |
Kraven the Hunter | J. C. Chandor | Columbia Pictures, Marvel Entertainment, Arad Productions, Matt Tolmach Productions | Composed with Evgueni Galperine and Sacha Galperine | |
25 | Wolf Man | Leigh Whannell | Universal Pictures, Blumhouse Productions, Motel Movies, Waypoint Entertainment, Cloak & Co. | - |
Until Dawn | David F. Sandberg | Sony Pictures Releasing, Screen Gems, PlayStation Productions, Vertigo Entertainment, Coin Operated, Mangata | - | |
Mortal Kombat 2 | Simon McQuoid | Warner Bros. Pictures, New Line Cinema, Atomic Monster, Broken Road Productions | - |
3.1.2. As composer of additional music
Year | Title | Director(s) | Composer(s) | Studio(s) | Notes |
---|---|---|---|---|---|
2009 | Moon | Duncan Jones | Clint Mansell | Stage 6 Films, Limelight Pictures, Sony Pictures Classics | - |
2013 | 12 Years a Slave | Steve McQueen | Hans Zimmer | Summit Entertainment, Regency Enterprises, Film4 Productions, Fox Searchlight Pictures | - |
2015 | The Little Prince | Mark Osborne | Hans Zimmer, Richard Harvey | ON Animation Studios, M6 Films, Netflix | - |
2016 | Batman v Superman: Dawn of Justice | Zack Snyder | Hans Zimmer, Junkie XL | DC Entertainment, RatPac-Dune Entertainment, Cruel and Unusual Films, Warner Bros. Pictures | - |
2017 | Dunkirk | Christopher Nolan | Hans Zimmer | Syncopy Inc., Warner Bros. Pictures | Composed the "Nimrod" variation, based on the theme by Edward Elgar |
3.2. Television
Year | Title | Network(s) | Notes |
---|---|---|---|
2009 | Breaking the Mould | BBC One | Television film |
2013 | The Thirteenth Tale | BBC Two | Television film |
2014 | The Crimson Field | BBC One | 6 episodes |
2015 | The Enfield Haunting | Sky Witness | 3 episodes |
2019 | Hostile Planet | National Geographic | - |
3.3. Theatre
Year | Title | Director(s) | Notes |
---|---|---|---|
2009 | Peter Pan | Ben Harrison | London / San Francisco |
4. Personal life
Benjamin Wallfisch currently resides in Los Angeles, California. He lives there with his wife and daughter.
5. Reception and recognition
Benjamin Wallfisch's musical compositions have garnered significant critical acclaim and commercial success, leading to numerous awards and nominations that underscore his influence in the film music landscape.
5.1. Awards and nominations
Wallfisch has been recognized with nominations for several prestigious awards, including:
- A Golden Globe Award nomination for Hidden Figures (shared with Pharrell Williams and Hans Zimmer) at the 74th Golden Globe Awards.
- A BAFTA Award for Best Film Music nomination for Blade Runner 2049.
- Two Grammy Award nominations: one for Hidden Figures (shared with Pharrell Williams and Hans Zimmer) and another for Blade Runner 2049.
- Two Emmy Awards nominations.
- Two consecutive nominations for Film Composer of the Year at the World Soundtrack Awards in 2019 and 2020.
- A Critics' Choice Movie Award for Best Score nomination for Blade Runner 2049.
- Nominations for the Hollywood Music in Media Awards, including Best Original Song for Hammer of the Gods and Best Original Score in a Sci-Fi/Fantasy/Horror Film for Blade Runner 2049, and Best Original Score in a Horror Film for The Invisible Man.
- A Robert Award for Best Score nomination for Dear Wendy.
- A Black Reel Award for Outstanding Original Score nomination for Hidden Figures.
5.2. Critical reception and impact
Wallfisch's work has been widely praised for its versatility and emotional depth. His ability to craft distinctive scores across diverse genres, from large-scale science fiction epics like Blade Runner 2049 to psychological thrillers such as The Invisible Man and family dramas like Hidden Figures, has earned him a reputation as one of the leading composers in Hollywood.
His commercial success is underscored by the collective box office revenue of the films he has scored, which totals over 2.50 B USD worldwide. This impressive financial contribution led Variety to feature him in their "Billion Dollar Composer" series in 2019, acknowledging his significant economic impact on the film industry. Critics often highlight his skill in creating memorable themes and his innovative use of instrumentation and orchestral techniques to enhance narrative and visual storytelling. His collaborations with established industry figures, particularly Hans Zimmer and Pharrell Williams, further demonstrate his standing and influence within the highly competitive field of film music.